A colorful and captivating time-travel adventure with fearsome creatures.

CLOCKWORK UNIVERSE

A STEAMPUNK THRILLER

A punk rocker wakes up in a Victorian world where unusual beasts plague Boston—still under British rule—in this debut steampunk thriller.

The novel begins with Sarah, in Victorian garb, witnessing a strange creature attack and whisk away a beggar near Boston Common. The action then shifts to Kevin Barnes, a “throwback punk band” musician sporting a purple mohawk, waiting for his “contemporary world” commuter train to Boston. A businessman who identifies himself as Roland asks Kevin to watch a briefcase and promptly disappears. Kevin boards the train and Sarah, in modern dress, becomes his seatmate. Kevin dozes off, then awakens to a transformed train—it runs on steam; British soldiers are aboard; and Sarah wears a Victorian outfit. The duo meets up with British game hunter Silas Cunningham and architectural genius Niles Barton, who have come to Boston to kill two Rhino-pards—a rhino and leopard combination created by a “most brilliant and disturbing” French scientist—which are wreaking havoc on the city. Kevin becomes gun bearer to these hunters as they explore the steam tunnels beneath Boston searching for their prey. Soon realizing their weapons are ineffective, the allies decide to try to kill the beasts by steam explosion, using Sarah as bait. By the thriller’s end, a British ironclad and a mysterious airship also join the conflict, with the strangely glowing scientist managing to escape with a surviving Rhino-pard. Kevin, too, considers exiting, but then makes a fateful exchange on his return train. Dennehy sets into motion an engaging time-travel and steampunk hybrid that includes pithy pit stops for comic commentary, including Barton’s snarky remark about the Boston Tea Party memorial (“Never seen a monument commemorating a lost war”). The narrative’s airship grand finale is particularly enjoyable and a splashy deus ex machina extravaganza. This novel is rather brief, however, leaving many of the mechanics fueling Dennehy’s engine (the role of Roland, for example) somewhat unclear. Still, it’s a fun and fascinating mashup—and a promising setup for further steampunk shenanigans.

A colorful and captivating time-travel adventure with fearsome creatures.

Pub Date: Nov. 19, 2016

ISBN: 978-1-925493-99-3

Page Count: 148

Publisher: Severed Press

Review Posted Online: Dec. 12, 2016

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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