Although manipulatively written, with a heavy-handed plot and a cast of noble Asians, Warley’s story offers a surprisingly...
Under pressure from his liberal wife, a member of Charleston society reluctantly adopts a baby girl from Korea in this novel by Southerner Warley (The Moralist, 2011, etc.), himself the father of a daughter born in Korea.
In the late 1970s, Elizabeth Carter and her litigating attorney husband, Coleman, are raising their two sons in New Hampton, Va. Elizabeth is a native Kansan. Although she plays the part of traditional wife and mother, she’s a quiet rebel—i.e., she won’t join the Junior League—who has always wanted to adopt a Korean baby. Coleman, on the other hand, was raised in Charleston by parents who drummed into his head the danger inherent in threatening their traditional values: God, family and South Carolina (by which they meant established Charleston families) above all. He has serious reservations about bringing an Asian child into the family, but he acquiesces, recognizing that it’s time to cast off his parents’ fear of change. Meanwhile, in Korea, a young mother reluctantly gives up her beloved infant, knowing that adoption in America is her daughter’s one chance to survive and prosper. That child becomes Allie, the Carters’ new daughter. Shortly after her arrival from Korea, the family moves back to Charleston, the only home Allie will know. Smart and adorable, she fits into the Carters’ lives more seamlessly than either parent might have expected, and Coleman especially adores her. When tragedy strikes less than halfway through the novel, he rises to the occasion. But seven years later, when Allie is a Princeton-bound high school senior, a seemingly trivial issue—her exclusion from a society ball—becomes a major crisis. After Coleman fails to win over the society’s board members, several of whom he counts as close friends, a Jewish ACLU attorney from New York pressures him to sue for discrimination.
Although manipulatively written, with a heavy-handed plot and a cast of noble Asians, Warley’s story offers a surprisingly nuanced take on political correctness.Pub Date: May 8, 2014
ISBN: 978-1-61117-391-8
Page Count: 360
Publisher: Univ. of South Carolina
Review Posted Online: March 15, 2014
Kirkus Reviews Issue: April 1, 2014
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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