A mixed bag, worth dipping into—especially for Griffiths.
Down and Out in Cardiff and Abersytwyth, with variations.
Not enough, actually, in this uneven gathering of 18 stories by 12 contemporary Welsh writers, who embody the wavering commitment to ethnic identity discussed in editor Williams’s witty introduction. The volume starts off smashingly with Sean Burke’s “The Trials of Mahmood Mattan,” a rich re-creation of the (historical) false conviction and execution of a Somali immigrant for the murder of a Welsh pawnbroker. Its Dostoevskyan intensity casts a shadow almost instantly defused by an overabundance of sketchy exercises in kitchen-sink realism (though a few might as accurately be labeled “bidet realism”)—framed in gritty tours through man streets and sweaty sheets (e.g., Anna Davis’s “Hiding in Cheesy’s Bedroom,” Rachel Trezise’s “Valley Lines,” Lloyd Robson’s “The Vinegar Mix”). Similar materials are better treated in Trezza Azzopardi’s limpid picturing of an unemployable loner (“Shorthold”) and Tessa Hadley’s Doris Lessing–inflected chronicle of a woman political activist’s empty love life (“The Enemy”). Mordant humor redeems Desmond Barry’s knowing tale of a petty criminal whose “Fresh Start” in America is imperiled by his manic-depressive girlfriend—and strikes refreshing sparks in Malcolm Pryce’s “Human See, Human Do,” a detective-story parody so perfectly calibrated that it makes perfect sense when a search for a missing chimpanzee is complicated by the scientifically created fear of flowers. Editor Williams contributes a lively story about an amusingly cretinous career criminal (“The Colonel and the Mercenary”). Best of all are three stories from Rabelaisian iconoclast Niall Griffiths: a foul-mouthed account of the attempted—and bungled—burglary of a gay couple’s posh digs (“Turd-burglars”); a beautifully crafted ghost story about the ultimate worst in a rented room (“Fran and the Witch and Me”); and a distinctly weird vignette (“Stigmata”) in which a schoolroom tiff escalates into a bloody religious experience (so to speak).
A mixed bag, worth dipping into—especially for Griffiths.Pub Date: April 15, 2005
ISBN: 0-7475-6606-2
Page Count: 288
Publisher: Bloomsbury UK/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2005
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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