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PARIS FOR ONE AND OTHER STORIES

Me Before You fans searching for the same emotional intensity should probably look elsewhere, but these stories make for a...

Moyes (After You, 2015, etc.) explores the lives of unsatisfied women in this collection of short stories and a novella.

In the title novella, a young woman named Nell plans a romantic weekend trip to Paris only to find out that her jerk of a boyfriend made a last-minute decision not to accompany her. Although Nell typically plays it safe, she eventually decides to enjoy her time in Paris alone. Her newfound sense of adventure allows her to enjoy the romance and excitement of the city (and a new man). Most of the short stories here follow a similar format: a woman who is unsatisfied with her relationship stumbles into a new situation or makes an out-of-character decision. One woman runs into an old lover at a party, one wears another woman’s shoes and experiences surprising results, and another ends up involved in a bank robbery. Women try out new identities, styles, and relationships and then either make triumphant changes or realize how wonderful their lives really were in the first place. This leads to a series of stories that can feel a bit homogenous, but Moyes’ engaging writing keeps things enjoyable. While there's nothing earth-shattering in this collection, it’s a pleasant and charming read.

Me Before You fans searching for the same emotional intensity should probably look elsewhere, but these stories make for a diverting treat while waiting for Moyes to write her next tear-jerker.

Pub Date: Oct. 18, 2016

ISBN: 9780735221079

Page Count: 239

Publisher: Pamela Dorman/Viking

Review Posted Online: July 26, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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HOW THE GARCIA GIRLS LOST THEIR ACCENTS

Told through the points of view of the four Garcia sisters- Carla, Sandi, Yolanda and Sofia-this perceptive first novel by poet Alvarez tells of a wealthy family exiled from the Dominican Republic after a failed coup, and how the daughters come of age, weathering the cultural and class transitions from privileged Dominicans to New York Hispanic immigrants. Brought up under strict social mores, the move to the States provides the girls a welcome escape from the pampered, overbearingly protective society in which they were raised, although subjecting them to other types of discrimination. Each rises to the challenge in her own way, as do their parents, Mami (Laura) and Papi (Carlos). The novel unfolds back through time, a complete picture accruing gradually as a series of stories recounts various incidents, beginning with ``Antojos'' (roughly translated ``cravings''), about Yolanda's return to the island after an absence of five years. Against the advice of her relatives, who fear for the safety of a young woman traveling the countryside alone, Yolanda heads out in a borrowed car in pursuit of some guavas and returns with a renewed understanding of stringent class differences. ``The Kiss,'' one of Sofia's stories, tells how she, married against her father's wishes, tries to keep family ties open by visiting yearly on her father's birthday with her young son. And in ``Trespass,'' Carla finds herself the victim of ignorance and prejudice a year after the Garcias have arrived in America, culminating with a pervert trying to lure her into his car. In perhaps one of the most deft and magical stories, ``Still Lives,'' young Sandi has an extraordinary first art lesson and becomes the inspiration for a statue of the Virgin: ``Dona Charito took the lot of us native children in hand Saturday mornings nine to twelve to put Art into us like Jesus into the heathen.'' The tradition and safety of the Old World are just part of the tradeoff that comes with the freedom and choice in the New. Alvarez manages to bring to attention many of the issues-serious and light-that immigrant families face, portraying them with sensitivity and, at times, an enjoyable, mischievous sense.

Pub Date: May 1, 1991

ISBN: 0-945575-57-2

Page Count: 308

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1991

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THE COMPLETE STORIES

The thirty-one stories of the late Flannery O'Connor, collected for the first time. In addition to the nineteen stories gathered in her lifetime in Everything That Rises Must Converge (1965) and A Good Man is Hard to Find (1955) there are twelve previously published here and there. Flannery O'Connor's last story, "The Geranium," is a rewritten version of the first which appears here, submitted in 1947 for her master's thesis at the State University of Iowa.

Pub Date: Jan. 1, 1971

ISBN: 0374515360

Page Count: 555

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1971

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