THE GREAT POX

THE FRENCH DISEASE IN RENAISSANCE EUROPE

A scholarly investigation of the response in Italy, France, and Germany to the sudden appearence of a seemingly new disease, ``the pox'' (syphilis), in the 1490s. The disease appeared first in Italy, in the wake of an invasion by French troops in 1494 and was quickly labeled ``the French disease.'' Its alarming symptoms included joint pain (so intense, one contemporary chronicler observed, that those infected ``screamed day and night without respite, envying the dead themselves''). Swellings appeared over the body, burst, and left blue or black scabs. Eventually, the disease corroded the features of the face, gnawing down ``as far as the marrow.'' Those infected also, witnesses insisted, eventually developed a revolting odor. To a continent only recently recovered from the Black Death (which had killed a third of Europe's population 130 years earlier), this new disease seemed like an equally lethal calamity. And even though doctors quickly identified sexual intercourse as the method of transmission, the ultimate cause of the disease, as well as effective treatments for it, remained elusive. Some of the devout, considering how the disease was transmitted, felt that ``the pox'' was God's punishment on sinners and required no intervention. Arrizabalaga (History of Science/Consejo Superior de Investigaciones Cient°ficas, Barcelona), Henderson (Senior Research Fellow/Wellcome Institute, London), and French (History of Medicine/Cambridge Univ.) offer a great deal of period detail, but their goal here is not a social history of the new disease. They are most concerned with the differing responses of doctors, municipalities, the Church, and royal courts to the disease. For those interested in such matters, there is much that is fresh and intriguing here. But lay readers, looking for a greater focus on the impact of the disease on society would do better to consult Claude QuÇtel's vivid History of Syphilis.

Pub Date: March 1, 1997

ISBN: 0-300-06934-0

Page Count: 352

Publisher: Yale Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1997

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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