Exemplary journalism by a writer who deserves to be in every nonfiction anthology and textbook henceforth.

THE OCEAN IS CLOSED

JOURNALISTIC ADVENTURES AND INVESTIGATIONS

A long-overdue anthology of writings by a great—and now largely forgotten—long-form journalist.

Charming, handsome, and erudite, Bradshaw, who died in 1986 at age 48, surprised no one when Mick Jagger crossed a room to spend an hour chatting with him. Said biographer A. Scott Berg, according to editor Belth, “he was possibly the most social animal I ever knew.” Yet while the parties were in full swing, Bradshaw would get to his typewriter, writing impeccable stories that embodied top-flight literary journalism. Some of the pieces here touch writers such as W.H. Auden, who emerges as a somewhat grumpy slob, just this side of a hoarder, who saw himself as a working stiff who worked in language as others worked at lathes. For any Auden admirer, this opening sketch is worth the price of admission. The same holds for Bradshaw’s piece on Tom Stoppard, who observes that he preferred to write for the stage rather than the far more lucrative medium of TV because “in a theater one has the full attention of one’s audience, whereas while watching television one tends to glance at the newspaper, to talk, or to answer the telephone.” Bradshaw loved the social scenes on both coasts, as his portrait of the Polo Lounge reveals in a time just after W.C. Fields, John Barrymore, Sadakichi Hartmann, and others “formed the nucleus of an eccentric group of drinkers.” Surveying the lounge in all its seedy glory, he wrote, “dark, and filled with smoke and noise, it is populated with an unspeakable motley….The place creates an instant and malign impression on the mind and one turns away as from a lazaretto.” Alas, one suspects that it was a few too many cocktails and cigarettes that felled Bradshaw at such a young age—but not before turning in definitive character studies of the likes of Chris Blackwell, New York proto-gangbangers, and, perhaps best of the lot, Germany’s Baader-Meinhof gang.

Exemplary journalism by a writer who deserves to be in every nonfiction anthology and textbook henceforth.

Pub Date: March 17, 2021

ISBN: 978-1-73354-014-8

Page Count: 320

Publisher: ZE Books

Review Posted Online: Nov. 21, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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