A steadily turning kaleidoscope of vivid, unsettling images.
A look at the genius, madness, cruelty and sensitivity of an acting legend.
Writing a biography of stage-film-TV actress Stanley, author Krampner (The Man in the Shadows, 1997) faced a daunting challenge. Stanley fabricated accounts of her life, leaving the author to sort matters out. (She was not born in Texas, as she always insisted, but in Albuquerque.) Some theater artists found her luminous, while others found her behavior indulgent and enraging. Katharine Hepburn walked out of a nascent project when Stanley, a proponent of Method acting, started writhing on the floor; another actor chased her around backstage with an axe. Krampner plies these storm-tossed waters by hewing to a thoroughly documented account of the actress’s career. Stanley turned to acting to receive the approval her Southern Baptist father withheld. After brief work in regional theater, she set out for New York, where, during the 1950s, her acting early on drew raves. Her performances in Picnic and Bus Stop became legendary. So did her behavior. She chugged alcohol to the point that actor Kevin McCarthy insisted she’d just thrown up before she kissed him onstage in The Cherry Orchard. She often cancelled performances and usually wangled out of contracts soon after her plays had opened. She fared better on TV in brilliant one-night performances during the golden age of live drama. She worked on five films, most notably The Goddess and Séance on a Wet Afternoon. Her appearance in The Cherry Orchard in London in 1965, directed by Lee Strasberg, went down as one of the greatest disasters in modern theater history, effectively ending her stage career. She was, Krampner concludes, a Mona Lisa—astounding, but unknowable.
A steadily turning kaleidoscope of vivid, unsettling images.Pub Date: June 15, 2006
ISBN: 0-8230-8847-2
Page Count: 248
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2006
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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