A comprehensive journey through Carroll’s wondrous tales, encapsulating the literary, historical, and the personal.
This remarkable opening volume of a series, edited by Lindseth and Hirshon, details the histories of Lewis Carroll’s famous stories of Alice in Wonderland.
This collection of works from various scholars explores a number of topics relating to Carroll’s four original Alice books—Alice’s Adventures in Wonderland (1865/66); Through the Looking-Glass, and What Alice Found There (1872); Alice’s Adventures under Ground, the original manuscript of Alice’s Adventures in Wonderland, published in facsimile in 1886; and The Nursery “Alice” (1890), a version of the original story for very young readers, along with related works. It includes studies of a few specific areas, including publishing histories and texts; analyses of diverse illustrations by John Tenniel, Mervyn Peake, Ralph Steadman, and others; and life essays explaining each contributor’s personal relationship with and interest in Carroll’s work. Each essay effectively shares unique information that’s certain to expand readers’ knowledge of and appreciation for these stories, revealing similarities and differences in various editions. According to librarian Hirshon, for instance, “No fictional work in history has ever generated as many separate illustrations by so many different artists, which makes Alice a perfect case study to explore the mental workings of various illustrators.” Each essay is well-researched and meticulously structured, ensuring that readers can gain the fullest possible understanding of each topic. As bibliographer and book collector Lindseth notes, the life essays are about evolution; so while each piece offers strong literary research and analysis, it also reveals a rooted interest that’s very personal. Contributors include Mark Burstein and August A. Imholtz Jr., for example, both of whom have written multiple books on Carroll’s work and (like many of the writers here) have connections to the Lewis Carroll Society of North America. This volume’s language is often lighthearted but also academic in its way, not to mention impressively precise. Analytical nonfiction texts sometimes risk alienating casual readers, but although this is certainly a serious and hefty text, it’s also fully accessible to general audiences—a quality that’s only enhanced by the wide variety of writers’ voices.
A comprehensive journey through Carroll’s wondrous tales, encapsulating the literary, historical, and the personal.Pub Date: Oct. 1, 2023
ISBN: 9781626132528
Page Count: 536
Publisher: ATBOSH Media Ltd.
Review Posted Online: May 31, 2025
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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