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THE EXTRA MAN

Ames follows I Pass Like Night (1989) with a gentle account of a burgeoning friendship between two likable oddballs. When 25-year-old Louis loses his teaching job at a Princeton day school after the principal’s wife catches him trying on a colleague’s bra, he decides on impulse to move to New York City. He answers an ad seeking a roommate and thus meets Henry Harrison, a putative writer, well on in years, who dyes his hair with mascara and spends his mealtimes being taken around town by wealthy ladies. Henry’s apartment is cramped—and flooded with evocative smells—but Louis responds to his new acquaintance’s eccentricity and the whiff of irony that accompanies his extreme opinions: he agrees to move in. Louis looks on in wide-eyed wonder as Henry sleeps till noon, keeps in shape by dancing to Cole Porter records, washes his clothes in the shower, and seems not to mind that the plays he’s written are lost in the chaos of the apartment. Louis himself gets a pleasant enough job working at an environmental journal. He lusts after Mary, a female co-worker, but also hangs out at a transvestite club, where he occasionally pays beautiful youngsters for “dates” more memorable for his partners— vulnerabilities than for the awkward sex. As Henry comes to trust and like him, he teaches Louis his tricks for doing Manhattan on the ultracheap: they sneak into shows after intermission, eat their fill at art openings, and enjoy some memorable binges with Henry’s hard-partying coterie of widowed ladies. Henry’s unpredictability and benign theatricality make these outings hum, but Louis is also winning on his own terms—upfront about his hunger to be liked, unfazed by squalor, endlessly appreciative of Henry’s spirit and kindness. The sexual-confusion subplot is murky and entirely lacking in resolution, but who cares? It’s just plain fun to watch these quasi-misfits fall for each other.

Pub Date: Aug. 3, 1998

ISBN: 0-684-84504-0

Page Count: 336

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1998

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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