WAKE UP, SIR!

Pungent and hilarious, if completely off the deep end: Ames is like a perpetual undergraduate jokester, whom you either love...

A demented picaresque about a Portnoy-ish neurotic (and his valet) who leaves the safety of Montclair, New Jersey, and heads for the untamed wilds.

As he showed in his earlier nonfiction, Ames (My Less Than Secret Life, 2002, etc.) appears to be a very strange young man: self-absorbed, sexually obsessed, utterly paranoid—traits shared here by his alter ego, Alan Blair. A young writer with one novel to his credit, Alan is 30 and working on his second book, a roman à clef about an obscure playwright who was his roommate for a few years. Having received $250,000 in a lawsuit for slipping on an icy Park Avenue sidewalk, Alan has the means to take it easy for a while. So he’s hired a valet named Jeeves to look after him in the New Jersey home of his uncle Irwin and aunt Florence—Alan’s only family since his parents died some years before—and given up any pretense of working for a living, but drinking like a fish instead. So much so, in fact, that his uncle and aunt show him some tough love by showing him the door. Alan takes it in stride and heads off to the Catskills with Jeeves. There, he stays in a forgotten Hasidic resort, goes on a bender, and gets in trouble by telephoning a “for a good time call” number he found in a gas station. He’s rescued, if that’s the word, by winning a fellowship to an arts colony in Saratoga Springs, where (probably for the first time in his life) he’s surrounded by a group of people even weirder than himself. He drinks a lot more, contracts pubic lice, is accused of theft and anti-Semitism, and falls in love. He even manages to write a little.

Pungent and hilarious, if completely off the deep end: Ames is like a perpetual undergraduate jokester, whom you either love or hate on first sight.

Pub Date: July 1, 2004

ISBN: 0-7432-3004-3

Page Count: 352

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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