Evison moves his narrative backward and forward through time, taking a leisurely approach to telling a story that is seldom...
Well-plotted, literate novel of the 19th-century settling of a corner of the West and the still-resounding echoes of decisions made long ago.
The Olympic Peninsula, west of Seattle, Wash., was little known even to Native American people until very recent times, thanks to its “chaos of snow-clad ranges colliding at odd angles, a bulwark of spiny ridges defending a hulking central range like the jaws of a trap.” Those imposing mountains long defied exploration and exploitation, but in time, as sophomore novelist Evison (All About Lulu, 2008) explains, they drew a particular kind of person who just wouldn’t go away, seeing in them the promise of endless wealth. So it is with James Mather, an “Arctic explorer, Indian fighter, and rugged individual” who arrives in the soggy outpost of Port Bonita with orders from the governor to bring the place under the aegis of civilization. Ethan Thornburgh, young and dissolute, has a somewhat different vision: He aims to turn the mountains into money, the better to make the place his own domain. The communitarians (“Weren’t they socialists or something?” asks a latter-day resident of the place, none too well versed in history), squatters and Indians who live nearby have different visions still. Much of Evison’s story—which, naturally, involves a headstrong pioneer woman—is conventional, though, borrowing a page from Ivan Doig’s Winter Brothers (1980), it makes room for closely observed notes on American Indian life as seen through the lens of a couple of key players. What brings the story to life, though, is Evison’s juxtaposition of a century past with a much different present, in which the derring-do of our forebears is seen as so much criminality, and the things that they built—particularly dams—as so many insults to the land that require undoing and atonement.
Evison moves his narrative backward and forward through time, taking a leisurely approach to telling a story that is seldom dramatic, but that Westerners will recognize as their own.Pub Date: Feb. 15, 2011
ISBN: 978-1-56512-952-8
Page Count: 496
Publisher: Algonquin
Review Posted Online: Dec. 29, 2010
Kirkus Reviews Issue: Jan. 1, 2011
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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