by Jonathan Gillman ‧ RELEASE DATE: Feb. 10, 1993
Twenty-three interrelated stories, set near the Missouri River in a small South Dakota town, tell the story of a lonely woman who has lost nearly everyone. Gillman, a playwright, fashions a first book that rings true with pathos and evocative, unsentimental dialogue. The pieces, each with a date attached, range from 1957 to '89, but the order has more to do with memory than with chronology. In ``Bones'' (1980) we meet Mavis, who, here, visits Ed to get some bones so that she can clang them together and make a kind of music as a distraction against night terror. Framed by those bones, the rest of the stories chronicle what Mavis has come to: several, notably ``Stones on a Hill'' (1979) and the lovely ``Shakespeare by Phone'' (1978) deal with Mavis's never-ending grief over the death of husband Nate. In ``Carny Man'' (1969) Mavis meets Nate at a carnival, and he gives up the carny life to settle down. Mavis's daughter Alice, on the other hand, runs off with a carnival some years after Nate's death, and ``Carny'' (1987) sketches out Mavis's forlorn visit to that same carnival a year later, where she looks without luck for Alice. The ironic contrast between mother and daughter—one finding a husband at the carnival to settle with, the other escaping from boredom through the same venue—is a bit forced, but mostly Gillman successfully writes of everyday pleasures and lasting heartbreak from a woman's point of view. Finally, ``Midsummer's Night'' gives Mavis the only solace she can receive—by allowing her to take ``two white shank bones from beside the bed'' and ``Clank clank'' them together. A small auspicious triumph, from a writer whose ear is almost unerring and whose empathy seldom flags.
Pub Date: Feb. 10, 1993
ISBN: 0-8135-1926-8
Page Count: 186
Publisher: Rutgers Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1992
Share your opinion of this book
More by Jonathan Gillman
BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
Share your opinion of this book
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
Share your opinion of this book
More by J.D. Salinger
BOOK REVIEW
More About This Book
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.