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ELVIS AND NIXON

Is Lowy the next Richard Condon? We can only hope so. Oh, by the way, Elvis’s interpretation of the New Testament story of...

Pop culture and recent history are hogtied and transmogrified to smashing effect in Lowy’s imaginative and often hilarious first novel, based on an unlikely but factual 1970 occurrence: the then-Prez’s White House meeting with The King.

Chief Executive Richard Nixon frets and barks at aides, demanding to know how the latest bad Vietnam War news—the My Lai massacre and forthcoming trial of Lieutenant William Calley—will “play in Peoria.” Midlevel subordinate Max Sharpe dreams up a “get High on Life” campaign to publicize the administration’s halfhearted “war on drugs.” Meanwhile, the fabric of consensus is unraveling: a Pentagon officer’s son has been subpoenaed and will testify, about atrocities he witnessed, against Calley; a black amputee vet angrily rejects a presidential decoration, setting in motion a lame-brained FBI plot. And, in the heartland of Graceland, a gluttonous, pill-popping, paranoid Elvis Presley eludes his managers and hops a flight heading for Washington, hoping to be declared a Federal Agent at Large. With a plot like this (oddly enough, only some of it is invented), even a mediocre novelist couldn’t miss—and the savvy Lowy is already an accomplished one. He moves among several storylines effortlessly, concocting a darkly comic melodrama the likes of which we haven’t seen since The Manchurian Candidate—while simultaneously making Nixon at his most absurdly self-justifying seem virtually statesmanlike, and rendering Elvis’s manifold insecurities, appetites, and delusions with genuine pathos. Plus, beneath the book’s appropriately gaudy and cacophonous surface, there pulses a deadly serious implicit criticism of the mendacity and criminal resourcefulness of ignoble men who’ll do whatever is necessary to wield and retain power.

Is Lowy the next Richard Condon? We can only hope so. Oh, by the way, Elvis’s interpretation of the New Testament story of Jesus is not to be missed.

Pub Date: Feb. 1, 2001

ISBN: 0-609-60818-5

Page Count: 304

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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