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THE TEMPLE OF MUSIC

A high-water mark in the ongoing renaissance of the historical novel.

Haves and have-nots go at each other with fateful ferocity in this Gilded Age melodrama, a vigorous follow-up to the author’s lively Elvis and Nixon (2001).

Employing techniques patented in E.L. Doctorow’s classic Ragtime, Lowy re-creates the gaping social inequities of turn-of-the-century America, focusing on a dozen or more mostly historical figures. Civil War veteran William McKinley rises through the Republican ranks, anointed as his party’s business-friendly 1896 presidential candidate by kingmaker plutocrat Mark Hanna. William Randolph Hearst, who backs “free silver” Democrat William Jennings Bryan, uses the power of his newspapers (and the energies of muckraking reporters like young Ambrose Bierce) to oppose McKinley and, after his election, foment a war with Spain to destroy his credibility. Condom magnate Morris Vandeveer runs afoul of anti-vice crusader Anthony Comstock and feels the wrath of outraged puritanism. Russian immigrant radical Emma Goldman “travels throughout the East, the Midwest, speaking, lecturing, rallying,” and inspiring the downtrodden—notably, young Polish immigrant Leon Czogolsz. His brooding sense of injury, dating from the preventable death of his pregnant mother when his family could not afford a doctor, ignites when he meets Goldman; he vows he’ll honor her injunction to “keep up the fight” on behalf of the countless underprivileged and oppressed. The narrative’s already lurching momentum accelerates impressively as Czogolsz stalks the reelected president to the 1901 Pan-American Exposition in Buffalo, fulfills his mission, and embraces his fate, as, in a different way, does Goldman. There’s a certain guest-appearance slickness to some of the episodes, but Lowy has done much more than his homework, and his story’s integrity and power inhere in superbly imagined characterizations of the unshakably decent, stoical McKinley, demonic egotist Hanna, and the haunted, wretched, yet paradoxically gallant Czogolsz.

A high-water mark in the ongoing renaissance of the historical novel.

Pub Date: Dec. 28, 2004

ISBN: 0-609-60819-3

Page Count: 352

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2004

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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