by Jonathan Maslow ‧ RELEASE DATE: April 1, 1996
Nature writer and self-confessed ``bird fanatic'' Maslow (Sacred Horses, 1994; Bird of Life, Bird of Death, 1986) turns his focus to fiction in this consistently good, remarkably varied collection. All seven stories are set on the Gulf Coast, but they range in time from the 16th century to the present day. Maslow's ability to create distinct and memorable characters capable of telling their own stories in their own strong voices allows him to tackle a variety of material with equanimity and impact. The opener (and one of the longest of the batch), ``The Last Lector,'' introduces Julieta Suarez, an elderly woman of Cuban ancestry who has been working for decades in a Tampa cigar factory. Julieta tells stories of the old days—focusing on the charming, doomed figure of Cesar Fuentes—to Carmen, a younger, jaded fellow employee. When, at story's end, it's revealed that Carmen has been listening to her Walkman throughout Julieta's rich reminiscing, the reader feels Julieta's dual sense of loss (her past, her connection with the future) with a sharp poignancy. In ``Africatown, Children,'' the voice of matriarch Mama Lulu (``one hundred years if she's a day'') is the beguiling guide; she recounts the origins of Africatown, USA, a place peopled by the descendants of Africans carried on the Clotilde, the last slave ship to ever land on American soil. ``The Healer: Chronicle of a Lost Expedition'' and ``A Mermaid Pining for Her Sailor'' are also narrated by feisty, worldly protagonists; each describes his adventures and life's story with aplomb. Not a tour de force, but (impressively) without a single clunker either; Maslow's gift for detail—perhaps perfected in his work as a naturalist—enables his slice-of-life sketches to add up to a rich and stirring whole.
Pub Date: April 1, 1996
ISBN: 0-679-40876-2
Page Count: 304
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1996
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BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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