Miles obviously has a great time recounting the history of the Riviera, making the book an enjoyable, absorbing read.
For a small slice of geography, the French Riviera has cast a long shadow, and it is one of wealth, style, and decadence.
Miles, the author of a string of well-received books, describes The Once Upon a Time World as “the second volume of an informal trilogy dedicated to phenomenal places created by strangers”; the first was St Petersburg: Three Centuries of Murderous Desire. The Riviera is a strip of land, including the microstate of Monaco, nestled between the azure waters of the Mediterranean and the stunning foothills of the Alps. It was Englishman Lord Brougham who started the show in 1835, with the idea of building a health resort for the well-to-do. The plan was successful, and over time the guest list extended to artists and writers, many of whom liked the sexual freedom available. Picasso, Coco Chanel, F. Scott Fitzgerald, Cole Porter, and Stravinsky spent considerable time there. Even Karl Marx, and later Harpo Marx, put in an appearance. The lush casinos attracted high rollers, and American money and celebrities poured in. The Riviera fared badly during World War II, but there was a resurgence in the 1950s and 1960s, with Hollywood stars leading the way. Grace Kelly married into Monaco royalty, sealing the bond. But the good times could not last. Eventually, overdevelopment turned much of the scenery into concrete, and the area became increasingly known for crime, corruption, and money laundering. Tourism is the main business of the area, but it runs mainly on nostalgia and pleasant weather. Miles suggests that a recovery is possible, but he sounds more hopeful than convincing. Looking back, the long heyday of the Riviera seems like a fantasy story, replete with colorful and unlikely characters. And it’s a story that, perhaps, starts with “once upon a time, there was a beautiful beach….”
Miles obviously has a great time recounting the history of the Riviera, making the book an enjoyable, absorbing read.Pub Date: Sept. 5, 2023
ISBN: 9781639364954
Page Count: 464
Publisher: Pegasus
Review Posted Online: April 4, 2023
Kirkus Reviews Issue: May 1, 2023
A zesty, energetic history, not only of a building, but of more than a century of American culture.
A revealing biography of the fabled Manhattan hotel, in which generations of artists and writers found a haven.
Turn-of-the century New York did not lack either hotels or apartment buildings, writes Tippins (February House: The Story of W. H. Auden, Carson McCullers, Jane and Paul Bowles, Benjamin Britten, and Gypsy Rose Lee, Under One Roof In Wartime America, 2005). But the Chelsea Hotel, from its very inception, was different. Architect Philip Hubert intended the elegantly designed Chelsea Association Building to reflect the utopian ideals of Charles Fourier, offering every amenity conducive to cooperative living: public spaces and gardens, a dining room, artists’ studios, and 80 apartments suitable for an economically diverse population of single workers, young couples, small families and wealthy residents who otherwise might choose to live in a private brownstone. Hubert especially wanted to attract creative types and made sure the building’s walls were extra thick so that each apartment was quiet enough for concentration. William Dean Howells, Edgar Lee Masters and artist John Sloan were early residents. Their friends (Mark Twain, for one) greeted one another in eight-foot-wide hallways intended for conversations. In its early years, the Chelsea quickly became legendary. By the 1930s, though, financial straits resulted in a “down-at-heel, bohemian atmosphere.” Later, with hard-drinking residents like Dylan Thomas and Brendan Behan, the ambience could be raucous. Arthur Miller scorned his free-wheeling, drug-taking, boozy neighbors, admitting, though, that the “great advantage” to living there “was that no one gave a damn what anyone else chose to do sexually.” No one passed judgment on creativity, either. But the art was not what made the Chelsea famous; its residents did. Allen Ginsberg, Bob Dylan, Andy Warhol, Janis Joplin, Leonard Cohen, Robert Mapplethorpe, Phil Ochs and Sid Vicious are only a few of the figures populating this entertaining book.
A zesty, energetic history, not only of a building, but of more than a century of American culture.Pub Date: Dec. 3, 2013
ISBN: 978-0-618-72634-9
Page Count: 448
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 18, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
From veteran British popular historian Johnson, an overly exhaustive account of the vigorous and violent growth of several small British colonies into the modern American nation. Although Johnson (The Birth of the Modern, 1991, etc.) purports to present the history of the "American people," his account has an undeniably British orientation; No details can be found here of the cultures of pre-European inhabitants of North America or the history of areas not originally settled by British colonists, such as Louisiana or the Southwest. Johnson divides his account into eight periods, of which some dates seem dubious (one might question dating America's career as a superpower to 1929, the first year of the Great Depression). More troubling, though understandable in a book of this encyclopedic scope, are the author's omissions and occasionally provocative assertions. In his account of the Civil War period, for instance, Johnson fails to discuss the militarily significant Western War, and he asserts, contrary to most accounts and without much apparent authority, that Abraham Lincoln didn't love his wife and didn't like Secretary of State Seward. Johnson traces not only the military, but also the political, social, and cultural history of America. He treats such disparate topics as the poetry of Walt Whitman, the developing role of women in American society, the growth of vast business combinations in the early 20th century, immigration and urbanization, the Vietnam War, and the 1973-74 "putsch against the Executive" (which is what Johnson calls the Watergate scandal). He editorializes on virtually every subject, sometimes controversially. Noting the many problems faced by modern America, Johnson concludes nonetheless that "the story of America is essentially one of difficulties being overcome by intelligence and skill, by faith and strength of purpose, by courage and persistence." A vast tour-de-force of research and writing. Nonetheless, Johnson tries to do too much here, and the overall result is as much of a labor to read as it must have been to write.
Pub Date: March 1, 1998
ISBN: 0-06-016836-6
Page Count: 944
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1997
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