Unsparingly gruesome in places. Still, it’s a colorful cast, sharply observed and wittily presented: Pender in love is...
Feckless psychopaths. Can those two words really be mentioned in the same breath?
Well, yes. And speaking of breath. . . . meet the Epps: Dr. Emily and Dr. Phil, anthropologists and serial killers. They kill for the sake of dying breaths, convinced that if they can suck these up in sufficient quantities they can live forever. Never mind how they came by this unwarranted (certainly unscientific) approach to immortality. What’s relevant is their unshakable belief in the concept’s validity and the ease with which surface ordinariness can blind the average citizen to rampant nuttiness. For 15 years, the Epps have gone about the business of population decimation “without so much as a cross word from the authorities,” Emily airily informs a potential disciple. True enough, but that period is about to come to an abrupt end with the advent of former FBI Special Agent E.L. Pender. He arrives at St. Luke (fictitious) in the Virgin Islands at the behest of embattled Police Chief Julian Coffee, a onetime colleague and unabashed admirer of Pender’s special abilities (“When it comes to serial killers, you're the man”). And no question about it, Chief Coffee does have a situation on his hands. Hands indeed. Right hands to be precise, which a sudden series of corpses have been materializing without. It doesn’t take long for Pender to sniff out the eccentricity in the Epp household, though catching the weird doctors red-handed, as it were, seems another matter entirely. But, then, who knew the silly pair would be cooperative enough to record 15 years of serial killing in meticulous, evidentiary detail?
Unsparingly gruesome in places. Still, it’s a colorful cast, sharply observed and wittily presented: Pender in love is almost as much fun as Pender the sleuth. By far, Nasaw’s third is his best yet (The Girls He Adored, 2001, etc.).Pub Date: June 1, 2004
ISBN: 0-7434-4653-4
Page Count: 288
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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