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PASSAGE TO JUNEAU

A SEA AND ITS MEANING

A rich, multilayered narrative of solitary travel through a vast and chilly landscape. Raban (Bad Land, 1996; Hunting Mister Heartbreak, 1991; etc.), a Londoner resident in Seattle, is one of the English-speaking world’s great travelers and travel writers. Here he crafts a wonderfully literate account, full of thoughtful observation and self-deprecating humor, of a sailing trip up the Inside Passage from the Puget Sound to the Alaska Panhandle. He is not, he admits, a great mariner——I am afraid of the sea . . . I—m not a natural sailor, but a timid, weedy, cerebral type, never more out of my element than when I—m at sea——and the boat he bought for his voyage was chosen less for its sturdiness than for its built-in bookcases, which could house a fine library. Raban’s journey is indeed bookish, full of observations culled from his readings. It’s also set in parallel with other voyages, foremost among them that of the English sailor and explorer George Vancouver two centuries before. Along the way, Raban visits Native American villages, where he meets a Tsimshian man who presses his children to learn Japanese, Spanish, and computer science so that the Tsimshian people can take a place in the coming millennium; passengers on the ever-present cruise ships that ply the waters of the Inside Passage, the butts of countless Alaskan jokes and even undisguised scorn; and down-on-their-luck workers lured to the North by the promise of high wages but who never managed to punch the right ticket. For all the people Raban meets along his journey, however, his is a fundamentally lonely narrative, marked by sorrowful passages on the concurrent dissolution of his marriage and on the decline of the literary culture he so ably represents. Impeccably written and told, this will be irresistible to Raban’s many admirers, as well as those who value a good story.

Pub Date: Nov. 1, 1999

ISBN: 0-679-44262-6

Page Count: 448

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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