Next book

WAXWINGS

Sharper (and a lot faster) than The Bonfire of the Vanities, may well be one of the best accounts ever written of an...

British-born Raban (Passage to Juneau, 1999, etc.) sends a poison-pen letter to his adopted homeland in this witty account of America at the turn of the millennium.

The tale is set in Seattle, where expatriate English novelist Tom Janeway pontificates on NPR’s All Things Considered and teaches writing at the University of Washington while his hotshot wife Beth counts returns on the IPO of her Internet realty business, GetaShack.com. The riots that recently marred the 1999 WTO conference have led the mayor to cancel all New Year’s Eve celebrations, but for the most part (Y2K fears notwithstanding) everyone is looking forward to the new century with very little dread. Even Chick Lee, an illegal immigrant from China who nearly died as a stowaway on a container ship, has been able to evade the INS and make a decent living for himself as a day laborer in the boom economy. But there are intimations that the party may be winding down—not least being the arrest of an al-Quaeda terrorist caught trying to cross the border in a car full of explosives. And Tom’s private life becomes a tangle of complications in short order. First, Beth (stung by some flippant remarks Tom made about the dot.com economy on one of his radio spots) leaves him, taking their four-year-old son Finn with her. Then Tom is identified as a suspect in a string of missing-persons’ cases because he happened to be hiking in the woods where one of the missing was last seen. Meanwhile, Chick sets himself up as a contractor and brings a gang of Mexican illegals over to fix Tom’s roof—just as the police investigation is heating up. Is the bubble about to burst? Or is Tom just going through a rough patch? We know, of course, but Tom doesn’t.

Sharper (and a lot faster) than The Bonfire of the Vanities, may well be one of the best accounts ever written of an American era.

Pub Date: Sept. 30, 2003

ISBN: 0-375-41008-2

Page Count: 288

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2003

Categories:
Next book

ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 19


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • New York Times Bestseller

Next book

THE HANDMAID'S TALE

Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.

Awards & Accolades

Likes

  • Readers Vote
  • 19


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • New York Times Bestseller

The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.

Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.

Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.

Pub Date: Feb. 17, 1985

ISBN: 038549081X

Page Count: -

Publisher: Houghton Mifflin

Review Posted Online: Sept. 16, 2011

Kirkus Reviews Issue: Jan. 15, 1985

Categories:
Close Quickview