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SHOOTING DOWN HEAVEN

A cheerless but supremely well-crafted story that proves Franco to be among the best Latin American writers at work today.

A prodigal son returns to a spectral Colombia in a novel by a writer praised by Gabriel García Márquez.

“My father’s [death] obeys a natural law in Colombia—the law of the jungle.” So says Larry, returning to Medellín after a dozen years away, his father having been kidnapped and killed in the endless cartel wars. His father, Libardo, was a man accustomed to luxury, for, as Franco’s (Paradise Travel, 2006, etc.) novel unfolds, with the time and point of view constantly shifting, we learn of his powerful place within the crime syndicate ruled by Pablo Escobar. His boss gunned down, anguish eats at Libardo as he realizes that he’s now a target himself. He disappears, leaving his wife, “the former Miss Medellín 1973,” to drink, shop, and slowly disintegrate. In a scenario reminiscent of Bret Easton Ellis’ Less Than Zero, Larry and his friends drink, smoke pot, snort coke, and look for something to do, trading barbs that the translator renders in perfect young Americanese, “dudes” and “bullshit” and all. Those friends bear names like La Murciélaga (Batwoman, that is), Carlos Chiquito (Teeny Tiny Charles), and Pedro the Dictator. Collectively they slide, free fall, into addiction and the betrayals large and small that, Franco suggests, are inevitable in a society consumed by violence: “I’d often pass by the site of a recent explosion and shudder at the wreckage, the dried blood,” Larry recalls of Escobar’s car-bomb campaign. “Anything might be a piece of leg, an arm; a pile of something would look like a pile of guts, and there was always a lone shoe somewhere, loose sneakers, flip-flops, boots amid the rubble.” A dark moment comes when it slowly dawns on Larry that his mother and his best friend are up to no good, and vengeance follows with a flicker of magical realism courtesy of an appearance by Libardo’s ghost. For the most part the story is grimly realistic, however, even as it ends with a welcome suggestion of redemption

A cheerless but supremely well-crafted story that proves Franco to be among the best Latin American writers at work today.

Pub Date: May 19, 2020

ISBN: 978-1-60945-589-7

Page Count: 352

Publisher: Europa Editions

Review Posted Online: Jan. 26, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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