Too many mysteries pile up to sustain suspense, but the novel is redeemed by its bright shimmer of magic realism.

A GENERAL THEORY OF OBLIVION

The Angolan writer’s fifth novel to receive an English translation, a look at the upheaval caused by the Angolan civil war, places a recluse at its heart.

Who is this solitary young woman on the top floor of a luxury building in Luanda, Angola’s capital, and why has she walled off her apartment? Her name is Ludo. She has been brought here unwillingly from Portugal by her sister, Odete, and brother-in-law, Orlando, an Angolan engineer for a diamond company, only to have the couple vanish into thin air, leaving behind a cache of diamonds. A burglar comes looking for the stones. Fragile but resourceful, Ludo shoots him dead, buries him in a terrace flowerbed and throws up the wall, prompted by her agoraphobia and a traumatic experience in late childhood; below, the crowds are celebrating the ex-colony’s 1975 independence, which will lead to the civil war. Ludo will live alone for 30-plus years, finally accepting Angola as her home and not the land of black savages she had long thought. Her brooding presence is inescapable, though she’s not the linchpin Agualusa evidently intended; there are many other characters whose stories crisscross as war and politics shape their lives. Keep your eye on Little Chief. He’s an altruistic political activist and an ex-con. Down on his luck, he shoots a pigeon, the same pigeon that had earlier swallowed some diamonds on Ludo’s terrace. Those diamonds and shrewd investments will make him a rich man and Ludo’s neighbor. Reversals of fortune are the novel’s lifeblood, along with strange disappearances and delayed revelations. A whole village disappears (witchcraft at work?); Odete and Orlando’s disappearance is only explained at the end.

Too many mysteries pile up to sustain suspense, but the novel is redeemed by its bright shimmer of magic realism.

Pub Date: Dec. 15, 2015

ISBN: 978-0-914671-31-2

Page Count: 250

Publisher: Archipelago

Review Posted Online: Oct. 8, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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