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THE YEAR OF THE DEATH OF RICARDO REIS

The US debut of Portuguese writer Saragamo: a novel written in the best classical European tradition, rich in allusions, occasionally surreal, and concerned with the human condition. Set in Lisbon, it's the story of the last year of Dr. Ricardo Reis, a man in his late 40s who has come back to Portugal to make a new life for himself. As the old year—1934—ends, Reis disembarks from the steamer that has brought him from Brazil, where he has spent the last 16 years. Unmarried, a poet as well as a doctor, Reis originally fled Portugal because of political upheaval, and a recent revolution in Brazil has in part precipitated his return. He stays first in a hotel, where he is attracted to a young woman guest who comes to Lisbon for medical treatment, and at the same time he takes the hotel maid, Lydia, as his mistress. Meanwhile, a friend and poet, recently dead, frequently accompanies Reis as he walks around Lisbon. There seems little point or purpose to Reis' life. He moves to an apartment, continues his relationship with Lydia, and asks the young hotel guest to marry him, but these seem more gestures of despair than acts of hope. Reis' politics are never really spelled out, but as the year progresses—and it is a significant year as the political situation in Europe and Portugal rapidly deteriorates—Reis finds it more difficult to remain aloof. When Lydia's brother dies in an antigovernment mutiny, Reis realizes that he can no longer be a bystander; but that admission is too much, and he goes off to join his dead friend, afraid to look back because if he does "he might let out finally his mighty howl." A compelling portrait of a man of great sensibilities and bleak vision, who, failing to escape the world in life, prefers death. And the Lisbon of the Thirties that Saragamo describes—gray, run-down, and filled with paupers—further increases this feeling of futility and moral decay. An accomplished debut.

Pub Date: Sept. 1, 1990

ISBN: 0002712784

Page Count: 358

Publisher: Harcourt Brace Jovanovich

Review Posted Online: Oct. 4, 2011

Kirkus Reviews Issue: Aug. 15, 1990

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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