RAISED FROM THE GROUND

A novel that offers insight into the renowned author and his native land.

An early, epic novel by the late Nobel Prize winner, for completists steeped in knowledge of the author’s work and his native Portugal.

Though this novel won the City of Lisbon Prize upon publication in 1980 and has since been praised as both seminal stylistically and deeply personal, this translation represents its first publication in English, more than three decades later. And even fans of the fables and parables of Saramago (Blindness, 1998, etc.) will likely find the novel a mixed bag, with flashes of brilliance offset by stretches of tedium, amid oblique references to Portuguese politics and culture that brief footnotes can barely illuminate. The novel encompasses three generations of the agrarian peasant Mau Tempo family, treated little better than cattle by the landowners who employ them. “These men and women were born to work, like good to average livestock,” writes the author, whose own family origins were similar. At times, the narrative slips into first-person from different characters, at other times, it offers the perspective of an ant, and yet other times, the distinction between the ant’s view and a human’s might be obliterated. Similarly, the authorial presence is very much in evidence throughout, with a droll tone, though the lack of any progress over the course of decades and generations seems tragic. “[W]e’re so used to laughter turning into tears or a howl of rage so loud it could be heard in heaven, not that there is any heaven,” he writes, of a conspiratorial exploitation that finds the church and government in league with each other, supporting the status quo, exercising power over the powerless. Even the natural order can’t provide solace, since “nature displays remarkable callousness when creating her various creatures.” As in the American naturalism of Frank Norris and Stephen Crane more than a century ago, the characters are but cogs in a big, cold machine, born to die but supplying their own replacements before they do.

A novel that offers insight into the renowned author and his native land.

Pub Date: Dec. 4, 2012

ISBN: 978-0-15-101325-8

Page Count: 384

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Sept. 24, 2012

Kirkus Reviews Issue: Oct. 15, 2012

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THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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A GENTLEMAN IN MOSCOW

A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...

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Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.

Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.

A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility (2011).

Pub Date: Sept. 6, 2016

ISBN: 978-0-670-02619-7

Page Count: 480

Publisher: Viking

Review Posted Online: June 20, 2016

Kirkus Reviews Issue: July 1, 2016

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