An engaging story that punches, kicks, and takes flight, just like its heroes.
Carriker evokes comic-book action and disturbing current events in this debut novel.
Rusty longs more than most for the heady early days of superheroes. When he was a child, a mysterious event called the Shift granted some people superpowers, and unaffected Rusty was fascinated by them. But as years went by, things changed. The new heroes were outlawed by a fearful public who deemed superpowers (and vigilante activities) to be a net detriment to society. But echoes of the Shift were still felt in the post-hero world; soon, Rusty’s own superabilities appeared—the power to manipulate magnetic fields—but they seemed to cost him more than they gave him. Growing up gay and superpowered in north Texas, Rusty faced bigotry, but he was mostly happy, and even now, he still believes in heroes. So when a friend named Kosma—whom he was just starting to get to know online—disappears in Odessa, Ukraine, Rusty can’t let it lie. He also tracks down his idol, the hero known as Sentinel, to help him in his search. It feels like an unlikely partnership, at times, but people who fall through the cracks need heroes to band together to pull them out. This novel’s effective, understated worldbuilding is a treat, and the action is tight and fast-paced, but it’s the characters that really make the story exceptional. Rusty’s bright, colorful disposition is a welcome change from the grim, brooding countenances that often dominate modern superhero tales. That optimism makes the story’s harsher realities even more affecting. Readers also get to know a diverse ensemble cast, such as Rusty’s best friend, Deosil, including their hopes and fears. The alchemy between the characters’ chemistry, the story’s action, and the world’s pressing—and sometimes painful—similarities to our own make the book nearly impossible to put down.
An engaging story that punches, kicks, and takes flight, just like its heroes.Pub Date: April 7, 2017
ISBN: 978-1-59021-520-3
Page Count: -
Publisher: Lethe Press
Review Posted Online: April 7, 2017
Kirkus Reviews Issue: May 15, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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