THE GOLDIN BOYS

Editor of The American Scholar and a prolific essayist (A Line Out for a Walk, p. 314, etc.), Epstein debuts in fiction with this collection of nine stories, almost all of them about middle-aged Jewish men who grew up in the West Rogers Park area of Chicago. Many of these competent pieces serve the ideological agenda of the magazine in which they first appeared, the neo-conservative Commentary. ``Marshal Wexler's Brilliant Career,'' from the point of view of an Allan Bloomish Univ. of Chicago professor, tells of a student who becomes a prominent radical-chic publisher and writer. It's bush-league Tom Wolfe, with an added Zionist twist. As in several stories here, Epstein proves to be a poor man's Saul Bellow—his talking heads spout a cultural conservatism that really, underneath, suggest a defense of vulgar ambition. A number of profiles here concern class difference among Jews, and reveal a parvenu's interest in snobbery. ``The Count and the Princess'' chronicles the unlikely passion of a snobbish Polish ÇmigrÇ for a suburban divorcÇe, a ``Jewess'' not at all of his style. Similarly, ``Kaplan's Big Deal'' finds a wealthy, unencumbered Chicago businessman pursuing a divorced prof because he loves and admires her well-mannered son. In a number of stories, lower-class, hard- working Jews tell of those who've arrived. In the not very subtly named title piece, the remarkably athletic sons of a wealthy lawyer and his glamorous wife eventually meet their downfall, and in ``Paula, Dinky, and the Shark,'' an accountant's wife surveys the lives of her best friend's family, gangsters she's known since youth. Epstein's high esteem for the self-made businessman is further revealed in ``Low Anxiety,'' in which an office-furniture dealer links his daughter's abortion to his sense of cultural decline. ``No Pulitzer for Pinsker'' and ``Another Rare Visit with Noah Danzig'' attack novelists for their duplicitous manipulations of reality. Epstein writes with sledge-hammer subtlety about characters already familiar from Bellow, Roth, Malamud, and even Richard Stern. A book of minor ethnic interest.*justify no*

Pub Date: Oct. 7, 1991

ISBN: 0-393-03022-9

Page Count: 288

Publisher: Norton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1991

Did you like this book?

No Comments Yet

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Did you like this book?

No Comments Yet

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Reader Votes

  • Readers Vote
  • 35

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2020

  • New York Times Bestseller

  • IndieBound Bestseller

THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

more