A funny, terrifying, and unpredictable slice of Night Vale’s macabre history.
One of Welcome to Night Vale’s most enigmatic and terrifying characters reveals how she came to be.
The Faceless Old Woman Who Secretly Lives in Your Home is one of the outlandish podcast’s most popular characters, partially due to writer/actress Mara Wilson’s evocative portrayal. In Night Vale, the character is a specter of sorts, visible only in glimpses, who takes great fun in toying with the town’s citizenry, living in all their homes simultaneously. Here, Fink and Cranor (It Devours!, 2017, etc.) diverge from the style of their previous books to craft a chilling ghost story. The book alternates between two timelines. The first concerns the life, death, and afterlife of the unnamed narrator, born in the Mediterranean in 1792 to an idyllic childhood with her beloved father. When her father is murdered by a covert criminal ring called The Order of the Labyrinth, she swears revenge and is recruited into a life of crime by her Uncle Edmond, a ruthless outlaw. What follows is a decadeslong, globe-spanning saga of adventure, betrayal, love, and fate as she becomes the swashbuckling captain of her own pirate ship, with a crew that includes a master of disguise, a bloodthirsty neophyte, a rakish comrade, and a giantess, among others. Robberies, schemes, battles, treachery, and a vicious conspiracy to destroy a rival ensue. In the storyline set in the present, the old woman adopts Craig, a struggling copywriter, as her pet project. While she does leave him the occasional dismembered animal to keep him in line, she also pays off his debts and steers him toward his wife-to-be, Amaranta, and a heavenly life to come—perhaps. How these stories converge and how the narrator becomes immortal are merciless in their ingenuity and immensely satisfying. As the Old Woman tells Craig, “There’s a thin line separating humor and horror, and this was that line.”
A funny, terrifying, and unpredictable slice of Night Vale’s macabre history.Pub Date: March 24, 2020
ISBN: 978-0-06-288900-3
Page Count: 352
Publisher: Harper Perennial/HarperCollins
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.
Self-assured, entertaining debut novel that blends genres and crosses continents in quest of magic.
The world’s not big enough for two wizards, as Tolkien taught us—even if that world is the shiny, modern one of the late 19th century, with its streetcars and electric lights and newfangled horseless carriages. Yet, as first-time novelist Morgenstern imagines it, two wizards there are, if likely possessed of more legerdemain than true conjuring powers, and these two are jealous of their turf. It stands to reason, the laws of the universe working thus, that their children would meet and, rather than continue the feud into a new generation, would instead fall in love. Call it Romeo and Juliet for the Gilded Age, save that Morgenstern has her eye on a different Shakespearean text, The Tempest; says a fellow called Prospero to young magician Celia of the name her mother gave her, “She should have named you Miranda...I suppose she was not clever enough to think of it.” Celia is clever, however, a born magician, and eventually a big hit at the Circus of Dreams, which operates, naturally, only at night and has a slightly sinister air about it. But what would you expect of a yarn one of whose chief setting-things-into-action characters is known as “the man in the grey suit”? Morgenstern treads into Harry Potter territory, but though the chief audience for both Rowling and this tale will probably comprise of teenage girls, there are only superficial genre similarities. True, Celia’s magical powers grow, and the ordinary presto-change-o stuff gains potency—and, happily, surrealistic value. Finally, though, all the magic has deadly consequence, and it is then that the tale begins to take on the contours of a dark thriller, all told in a confident voice that is often quite poetic, as when the man in the grey suit tells us, “There’s magic in that. It’s in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict.”
Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.Pub Date: Sept. 13, 2011
ISBN: 978-0-385-53463-5
Page Count: 384
Publisher: Doubleday
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
BOOK REVIEW
This brilliant bit of nihilism succeeds where so many self-described transgressive novels do not: It's dangerous because...
Brutal and relentless debut fiction takes anarcho-S&M chic to a whole new level—in a creepy, dystopic, confrontational novel that's also cynically smart and sharply written.
Palahniuk's insomniac narrator, a drone who works as a product recall coordinator, spends his free time crashing support groups for the dying. But his after-hours life changes for the weirder when he hooks up with Tyler Durden, a waiter and projectionist with plans to screw up the world—he's a "guerilla terrorist of the service industry." "Project Mayhem" seems taken from a page in The Anarchist Cookbook and starts small: Durden splices subliminal scenes of porno into family films and he spits into customers' soup. Things take off, though, when he begins the fight club—a gruesome late-night sport in which men beat each other up as partial initiation into Durden's bigger scheme: a supersecret strike group to carry out his wilder ideas. Durden finances his scheme with a soap-making business that secretly steals its main ingredient—the fat sucked from liposuction. Durden's cultlike groups spread like wildfire, his followers recognizable by their open wounds and scars. Seeking oblivion and self-destruction, the leader preaches anarchist fundamentalism: "Losing all hope was freedom," and "Everything is falling apart"—all of which is just his desperate attempt to get God's attention. As the narrator begins to reject Durden's revolution, he starts to realize that the legendary lunatic is just himself, or the part of himself that takes over when he falls asleep. Though he lands in heaven, which closely resembles a psycho ward, the narrator/Durden lives on in his flourishing clubs.
This brilliant bit of nihilism succeeds where so many self-described transgressive novels do not: It's dangerous because it's so compelling.Pub Date: Aug. 1, 1996
ISBN: 0-393-03976-5
Page Count: 192
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
