A suspenseful—and topical—tale of White House intrigue.
A debut political thriller tracks the meteoric and perilous rise of a Latina U.S. president.
Isabel Aragon “Tenny” Tennyson hails from a prominent Mexican family that owns and operates Groupo Aragon, a sprawling corporate conglomerate. Her brother Federico, groomed his whole life to take over the business, suddenly decides to become a Jesuit priest, leaving Tenny to eventually assume the reins. But Federico reveals to her that their family’s treasure has been conjured from blood and misdeeds, a vast criminal conspiracy that collaborates with drug cartels and autocratic governments. Tenny attempts to reform the company but is blocked by its corrupt gatekeepers. She moves to the United States, flush with a massive inheritance, and parlays her resources into political activism. She displays a knack for political theater and quickly becomes a powerful player in Washington, D.C. She runs for Congress and wins on the first try and then becomes a senator next, positioning herself as a champion of the disenfranchised. And when the Democratic candidate for president is diagnosed with a malignant brain tumor, she is tapped to take his place and becomes the first Hispanic, and first female, president in American history. She successfully pushes for sweeping immigration reform and tackles not only corruption in the financial sector, but ambitiously aims for a sea change in the very structure of American capitalism as well: “The whole financial system’s rotten and it’s rotting the political system. We’ve got to get control of it before it tears the country apart.” But dark forces with a vested interest in maintaining the status quo gather to oppose her and threaten her life. Rothstein has written a timely novel that artfully exploits contentious debate about immigration and oligarchic exploitation. The story is panoramic in scope and charts generations of the Aragon family, making this an unusually deep plot for a political thriller (Tenny’s ancestors include the Duke of Aragon, whose wife, Queen Isabella I of Spain, financed Columbus; “Aragons sailed to the New World with the conquistadors and built a legacy of economic and political power in Mexico”). Sometimes, the action flirts with implausibility, and Tenny is peculiarly successful—and with breakneck speed—for someone so idealistic. But she remains an enthralling protagonist at the heart of a gripping tale.
A suspenseful—and topical—tale of White House intrigue.Pub Date: July 25, 2016
ISBN: 978-0-9976999-0-6
Page Count: 330
Publisher: Gold Standard Publishing
Review Posted Online: July 15, 2016
Kirkus Reviews Issue: Aug. 15, 2016
Review Program: Kirkus Indie
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
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