Scapellato’s debut is unpredictable, witty, and self-aware while remaining heartfelt in the most unexpected ways.
Scapellato’s first collection of short fiction means to bust the mythologies of the American West.
In these 25 stories, Scapellato moves from the allegorical to the (almost) natural, traversing the territory with a fluid grace. “Cowgirl” takes its title at face value, describing a young woman, “born of a beef cow,” who must navigate a human world that is completely alien to her. “Do I come from myself? Do I come from outside myself? Do I need to know? Do I need new questions?” she asks in a litany that might stand as an epigraph for the entire book. What Scapellato does so well here is what he does throughout these narratives: to take the absurd and make it real. “It was loaded, I was loaded. The bottle was not the only way but it was the way that was available, my husband’s way, the weakest way to make me strong,” he begins “A Mother Buries a Gun in the Desert Again,” the saga of a woman trying to save her teenage son. The truth, of course, is that he can’t be saved, any more than anyone here can be—or perhaps it’s more accurate to say that he must save himself. Certainly, that’s what happens to the protagonist of “Driving in the Early Dark, Ted Falls Asleep,” which closes with a plaintive inquiry: “I want to live awake?” Living awake, of course, is the best that we can hope for, which the figures who populate these strange and graceful stories understand. “It was the kind of day that made you think that thinking about the things that mattered was what mattered,” the narrator insists in “One of the Days I Nearly Died,” which unfolds, for the most part, as a single paragraph. “Was where you were what mattered?”
Scapellato’s debut is unpredictable, witty, and self-aware while remaining heartfelt in the most unexpected ways.Pub Date: Feb. 28, 2017
ISBN: 978-0-544-76980-9
Page Count: 192
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: Dec. 14, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
PROFILES
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
