edited by Josepha Sherman ‧ RELEASE DATE: May 8, 1995
Sherman (Windleaf, 1993, etc.) promises ``no clichÇd vampires, no trite and toothless werewolves,'' and the 14 contributors to this collection, most well known to fantasy fans, deliver on that promise. Whether original or loosely based on folklore, the creatures here seep or slither from imagination's darkest corners, encounter humans—and frequently come off second best: In Harry Turtledove's ``Bleeding Moon'' a vurkolak, a spirit risen from the blood of a murdered man, is driven off by Bulgarian villagers; Lawrence Watt- Evans's noisy ``Bogle in the Basement'' hears Led Zeppelin's music and flees in panic; Shetland Island fishermen kill Laura Frankos's shape-changing ``Njuggle'' by exposing it to sunlight. Other spirits, such as the barrow wight in Susan Schwartz's haunting ``Ring-Thane,'' are more powerful, and some are even benevolent: It only takes the magic of ``A Few Good Menehune,'' by Esther Friesner, to save a Hawaiian beach from developers. A demonic horse becomes a molested New Jersey child's ``Black Angel'' in Nancy Springer's satisfying final tale; Jane Yolen rounds out this stellar gathering with a selkie poem. A winner from beginning to end. (Fiction/short stories. 11-15)
Pub Date: May 8, 1995
ISBN: 0-8027-8368-6
Page Count: 162
Publisher: Walker
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1995
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adapted by Josepha Sherman
by Nikki Grimes ‧ RELEASE DATE: Jan. 1, 2001
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...
This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.
The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)Pub Date: Jan. 1, 2001
ISBN: 0-8037-2569-8
Page Count: 176
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
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by Nikki Grimes ; illustrated by Cathy Ann Johnson
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by Nikki Grimes ; illustrated by Michelle Carlos
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by Nikki Grimes ; illustrated by Jerry Pinkney & Brian Pinkney
by John Boyne ‧ RELEASE DATE: Sept. 12, 2006
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
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SEEN & HEARD
SEEN & HEARD
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