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WHERE WE KEEP THE LIGHT

STORIES FROM A LIFE OF SERVICE

A candid insider account of state-level politics and the art of successful bipartisan governance.

The Pennsylvania governor threads personal history with political résumé.

In a memoir that is politically shrewd and deeply personal, Shapiro discusses the importance of his Jewish faith, family devotion, and public service. He opens with a harrowing account of the 2025 arson attack on the governor’s residence following his family’s Passover Seder, then traces the origins of his convictions. “My dad was the local pediatrician who just about everyone leaned on,” Shapiro writes. His mother was a teacher and a “pillar in the community” who struggled with mental illness—“not something I have talked much about, even privately, but certainly not publicly.” Shapiro recounts formative experiences: a semester studying in Israel, high school and college basketball—he earned the nickname “The General” for his court vision and leadership—and, significantly, the courtship of his wife-to-be, Lori, who would become his most trusted adviser on pivotal career decisions. Throughout, he’s engaging and comes off as genuinely likable, offering glimpses into both triumph and tension. The memoir’s core chronicles his methodical rise through Pennsylvania politics, emphasizing his ability to work across party lines on issues like police funding that didn’t always align with Democratic orthodoxy. As attorney general, he released a 2018 grand jury report alleging abuse of more than 1,000 children by over 300 priests, a defining moment detailed with unflinching candor. A later chapter recalls the contentious vetting process for Kamala Harris’ vice-presidential selection. When her team asked, “Have you ever been an agent of the Israeli government?” Shapiro writes, “I told [the vettor] how offensive the question was.” His decision to withdraw was sealed when Harris clarified the role: “Your job, she explained to me is to make sure that you are not a problem for the President”—hardly a collaborative partnership. Shapiro has written the kind of memoir that doubles as an extended introduction: part life story grounded in faith and family, part record of executive competence and civic duty, part vision statement for what might come next.

A candid insider account of state-level politics and the art of successful bipartisan governance.

Pub Date: Jan. 27, 2026

ISBN: 9780063463905

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 29, 2026

Kirkus Reviews Issue: March 15, 2026

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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