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BETWEEN, GEORGIA

Evocative and lovingly crafted.

A long-standing family feud threatens to destroy a southern town.

In her accomplished second novel, Jackson (Gods in Alabama, 2005) sweeps the reader away to a place where gravel crunches underfoot and the smell of corn bread wafts in the air. Between, a tiny dot on the Georgia state map, is oversized when it comes to personalities. When Ona Crabtree’s vicious Doberman attacks Genny Frett, it shatters the town’s harmony and reignites the embers of a bitter quarrel that began 30 years earlier with the birth of Nonny Jane. A Crabtree by blood, she was adopted by a Frett, forever placing her in limbo between the warring families. They seem to be polar opposites: The Crabtrees perch on the edge of society, taking lawlessness as their guiding principle; the Fretts, whose prosperous business has turned Between into an offbeat tourist destination, are ruled by propriety. At heart, however, the two clans are more similar than they may care to admit. Both have members with fiery tempers and capable of holding on tight to a grudge. During her childhood, Nonny became accustomed to being the prize in their bitter tug of war. Now an adult living an hour’s drive away, she must come to terms with her own culpability in this horrid feud. Upon learning about the Doberman attack, she races back to Between. Her sick Aunt Genny and her aging mother aren’t the only people pulling her home; the town also holds a potential sweetheart (if Nonny can make a final break with her soon-to-be-ex-husband) and a neglected niece. With her short fuse and history of bungled relationships, Nonny won’t be able to broker a peace agreement and spare future generations of Between’s children from this bitter fight until she claims ownership of her life. The plot is precise and sweet, and Jackson includes the perfect ingredients: quirky characters, a picturesque setting and ample surprises.

Evocative and lovingly crafted.

Pub Date: July 3, 2006

ISBN: 0-446-52442-5

Page Count: 304

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2006

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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