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PEEP SHOW

Humane, compassionate and very moving.

A New Jersey family breaks up, and an unhappy teenager finds his vocation amid Times Square sleaze in the mid-1970s.

The Arbuses used to be the kind of affluent, assimilated suburban Jews that Braff anatomized in his brutally funny debut, The Unthinkable Thoughts of Jacob Green (2004)—except that Martin made a living running burlesque joints, and wife Miriam was one of the strippers before she had two kids. Now, in the spring of 1975, she and 15-year-old Debra are about to become baalai teshuva, converts to a Hasidic sect, while Martin and 17-year-old David seethe in disbelief. David’s narration shows him struggling with his mother, who wants him to “embrace the life I’ve found.” He can’t, but he’s not happy living with his father in Manhattan, where burlesque is giving way to hardcore peep shows and sex-toy shops. Martin refuses to adapt to changes he finds repulsive, though business associates are making unheard-of profits and the old ways are money-losers. Miriam wants to keep her daughter away from her secular ex-husband and son, and David’s efforts to stay in touch lead to a disastrous Atlantic City jaunt with Debra, a Hasidic school friend, Martin and his stripper girlfriend, who puts makeup on the two girls. Miriam, enraged, won’t forgive David even at Martin’s hospital bedside after he’s diagnosed with cancer. Flash forward to 1977, when live peep shows are being squeezed out by video porn, and David’s photos of Times Square hang in the Sixty-Niner Diner: “an actual museum inside a dildo shop.” He’s still pining for his mother, and it’s one of Braff’s great achievements that we understand this. Miriam is often cruel as she clings to reassuring rules, but she’s also miserable and conflicted, not knowing how to integrate her love for her son with the life she’s chosen. The novel ends on the day of 17-year-old Debra’s wedding, with the rabbi brokering a détente that readers will hope grows into lasting reconciliation for these touchingly vulnerable, painfully recognizable characters.

Humane, compassionate and very moving.

Pub Date: June 1, 2010

ISBN: 978-1-56512-508-7

Page Count: 272

Publisher: Algonquin

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 1, 2010

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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