A 'plot' is not fiction, as you know, but very real; it is the record of someone's brain, a trail like a snail's trail, sticky and shameful. . . ." And in these often abstract short stories, shame and guilt and the many deaths of personality sever those all-important connections between men and women as they pursue, flee from, and pursue again themselves and each other. The ideal of marriage, a metaphor of union, is the "sacred adventure" never achieved; and infidelity becomes an acknowledgment of the inevitability of doomed isolation and aridity. Love-making on the grass is blown about with Dixie cups and "small plastic spoons." And the woman is an "echo only of his shouts and cries," or those of other men. In "The Sacred Marriage," a dead writer's young wife confers his "divinity" on succeeding lovers; in another story, a fiancee of a dying man leaves the hospital to sleep with his disciple, in "Did You Ever Slip on Red Blood?" the killer of a hijacker searches for the erotic moment of his kill through becoming the lover of the girl who had absorbed the moment of death into her consciousness — "What was it like. . . . When it happened." But the attempt to remain intact is unreal, as in the chilling "The Children" in which a suburban housewife's bastion is ringed with incursions by dirt, strangers, and even the terrifying self-containment of her own children. In Miss Oates' feverish landscapes, the streets are crowded with phantoms seeking out victims, avengers, and those perfect unions which never come about. "You do not exist until you begin to run." Miss Oates in these stories approaches a mystic sin-dense vision in which the marital or adulterous bed is "crammed with people. . . all becoming each other. Becoming protoplasm," beneath the Celestial City. Commanding even if a few stories are only notebook exercises; all press forward into new ground.
Pub Date: Sept. 6, 1972
ISBN: 0449237249
Page Count: 416
Publisher: Vanguard
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Sept. 1, 1972
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
