Boldly cruel and consummately styled, these tales never fail to provoke if not always to satisfy.
Twelve new stories from a prolific master of the short form.
In Oates’ new collection, the zero-sum game so often at work in relationships is explored with exhaustive care. These relationships take varied forms. Sometimes characters struggle with power dynamics. In “Lovesick,” E___ seeks out her former lover to tell him she is being threatened by an anonymous caller, a fact that seems to shock and gratify him in equal turns. In other stories, the relationships are well worn, long settled in their more-or-less predictable gender roles, which have become insufficient to clothe the hostilities that exist at their cores. The lengthy central story, “The Suicide,” stuns with the relentless misogyny of the main character, a brilliant writer consumed by suicidal ideation, who’s disgusted by the “bottomless tar pit of [his wife’s] compassion” even as he reveals that this slavish compassion is the only emotion he has allowed her to express. Indeed, in many of the stories, the power that is transferred between characters centers around a perversion of the expression of female nurture. In “The Cold,” a mother of young children who has suffered a recent miscarriage is prevented from recovery by the presence of frigid breezes that creep up behind her like “an unwanted caress.” As bound as these characters are by their knotted relationships, they are even more bound by the taut, efficient sentences that throttle any hope a character might have of resolving their intractable dilemmas. Indeed, throughout the collection, Oates’ vicious incisiveness enacts a more brutal persecution than any of the cruelties the characters inflict upon each other—ultimately leaving little room for change in any direction other than the downward spiral. While this makes for a heady reading experience, it also creates a certain thinness to the collection as a whole that results in individual stories feeling like experiments with a theme rather than explorations of the unlikely, but still human, extremes to which the characters are forced.
Boldly cruel and consummately styled, these tales never fail to provoke if not always to satisfy.Pub Date: July 18, 2023
ISBN: 9780593535868
Page Count: 272
Publisher: Knopf
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
Underscores that the stories we tell about our lives and those of others can change hearts, minds, and history.
In a dystopian near future, art battles back against fear.
Ng’s first two novels—her arresting debut, Everything I Never Told You (2014), and devastating follow-up, Little Fires Everywhere (2017)—provided an insightful, empathetic perspective on America as it is. Her equally sensitive, nuanced, and vividly drawn latest effort, set in a dystopian near future in which Asian Americans are regarded with scorn and mistrust by the government and their neighbors, offers a frightening portrait of what it might become. The novel’s young protagonist, Bird, was 9 when his mother—without explanation—left him and his father; his father destroyed every sign of her. Now, when Bird is 12, a letter arrives. Because it is addressed to “Bird,” he knows it's from his mother. For three years, he has had to answer to his given name, Noah; repeat that he and his father no longer have anything to do with his mother; try not to attract attention; and endure classmates calling his mother a traitor. None of it makes sense to Bird until his one friend, Sadie, fills him in: His mother, the child of Chinese immigrants, wrote a poem that had improbably become a rallying cry for those protesting PACT—the Preserving American Culture and Traditions Act—a law that had helped end the Crisis 10 years before, ushering in an era in which violent economic protests had become vanishingly rare, but fear and suspicion, especially for persons of Asian origin, reigned. One of the Pillars of PACT—“Protects children from environments espousing harmful views”—had been the pretext for Sadie’s removal from her parents, who had sought to expose PACT’s cruelties and, Bird begins to understand, had prompted his own mother’s decision to leave. His mother's letter launches him on an odyssey to locate her, to listen and to learn. From the very first page of this thoroughly engrossing and deeply moving novel, Bird’s story takes wing. Taut and terrifying, Ng’s cautionary tale transports us into an American tomorrow that is all too easy to imagine—and persuasively posits that the antidotes to fear and suspicion are empathy and love.
Underscores that the stories we tell about our lives and those of others can change hearts, minds, and history.Pub Date: Oct. 4, 2022
ISBN: 978-0-593-49254-3
Page Count: 352
Publisher: Penguin Press
Review Posted Online: Aug. 1, 2022
Kirkus Reviews Issue: Aug. 15, 2022
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
SEEN & HEARD
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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