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JUDGMENT HILL

A decade after his story collection, The Bride of Ambrose, Freeman returns with an insightful, down-to-earth debut novel, this also set in the imaginary town of Ambrose, Vermont. Here, local logging and the appearance of a pretty Texas drifter coincide to disturb the equilibrium of the village's first citizen. Much of the land in and around Ambrose has been in Garrett Benteen's family for generations, giving the old codger a proprietary air, which is punctured when a neighbor decides to log off his own hillside and put up cheap houses. While Garrett spies on the operation from the safety of his wood, resentment building, trouble brews on another front: Tyler McClellan, on the run from a mankilling snake-charmer in Texas, finds shelter in the safehouse run by the mother of Garrett's driver, Hugh, who becomes increasingly enamored of her. Although he's both a hulk and a hunk, the Dartmouth reject (booted out for belting a football coach) doesn't have much to offer Tyler beyond his physique—not even when Hugh steps up his systematic theft of Garrett's family heirlooms in preparation for getting out of town for good. Tyler casts her lot with the old man, who's more of a match for her sharp wit, moving into his house and replacing Hugh as his driver. But even Tyler can't keep the demons in Garrett's head from pushing him over the edge after an ailing old friend of his, whom he rescued from the Soldiers' Home and tended, finally dies. Garrett confronts his logging neighbor across a freshly poured foundation in a showdown that bodes ill for all. Craggy-faced Vermonters who embody all facets of the human condition, a complex but sure handling of story, and a tender touch in describing the land itself give plenty of spark and charm. A wry, thoughtful first novel with rewards in abundance.

Pub Date: Sept. 26, 1997

ISBN: 0-87451-832-6

Page Count: 240

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1997

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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