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JUDGMENT HILL

A decade after his story collection, The Bride of Ambrose, Freeman returns with an insightful, down-to-earth debut novel, this also set in the imaginary town of Ambrose, Vermont. Here, local logging and the appearance of a pretty Texas drifter coincide to disturb the equilibrium of the village's first citizen. Much of the land in and around Ambrose has been in Garrett Benteen's family for generations, giving the old codger a proprietary air, which is punctured when a neighbor decides to log off his own hillside and put up cheap houses. While Garrett spies on the operation from the safety of his wood, resentment building, trouble brews on another front: Tyler McClellan, on the run from a mankilling snake-charmer in Texas, finds shelter in the safehouse run by the mother of Garrett's driver, Hugh, who becomes increasingly enamored of her. Although he's both a hulk and a hunk, the Dartmouth reject (booted out for belting a football coach) doesn't have much to offer Tyler beyond his physique—not even when Hugh steps up his systematic theft of Garrett's family heirlooms in preparation for getting out of town for good. Tyler casts her lot with the old man, who's more of a match for her sharp wit, moving into his house and replacing Hugh as his driver. But even Tyler can't keep the demons in Garrett's head from pushing him over the edge after an ailing old friend of his, whom he rescued from the Soldiers' Home and tended, finally dies. Garrett confronts his logging neighbor across a freshly poured foundation in a showdown that bodes ill for all. Craggy-faced Vermonters who embody all facets of the human condition, a complex but sure handling of story, and a tender touch in describing the land itself give plenty of spark and charm. A wry, thoughtful first novel with rewards in abundance.

Pub Date: Sept. 26, 1997

ISBN: 0-87451-832-6

Page Count: 240

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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