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DEMON FREAKS

A funny supernatural tale with spooky scenes, sincere emotions, and a solidly satisfying ending.

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Plans to study for the SAT go horribly wrong when they are interrupted by a golfer cult’s demon-summoning plot in this comic YA horror novel.

Bing and Ron Slaughter are identical twins and half of the Ephits, a punk band (formerly the Angry Red Welts). Bing is the frontman and songwriter, and Ron plays bass. They’ve got to do well on their SATs to get into good schools. Otherwise, it’s goodbye to their parents’ financial support and hello to careers at McDonald’s, where Mr. and Mrs. Slaughter work as operational planners. Maybe it’s not the best idea to study at a remote cabin in the woods the night before the SATs with the other Ephits, Prathamesh “Meat” Kimitri (drummer) and Kaitlyn Krimpsen (keyboard), but that’s the plan. Things soon go awry when a monster lightning storm strikes, cutting off the power, and the twins’ history teacher, Mr. Brom, pounds on the cabin door wielding a dagger—which has a mind of its own. Through its manipulations, the group dodges dangers, arriving at a golf-course clubhouse, but it’s no sanctuary. As Mr. Brom explains, “Insane cultists, Satan worshipers and evil wizards are like elderly nuns compared to the Golfers’ Association.” It’s up to the twins to save their friends from becoming blood sacrifices and prevent a powerful demon from being unleashed on the world. Hardison (Fish Wielder, 2016) writes an exciting tale with nonstop action, supernatural horror, and plenty of humor. Pop-culture references enliven the dialogue, as when Kaitlyn tearfully whispers, “The needs of the many” (from Star Trek II) to the band’s bus, demolished in getaway service. Hardison writes amusingly that his protagonists “had almost been killed, and they were experiencing cheap and melodramatic personal revelations,” but in fact the characters do come to new—and not at all cheap—understandings about their roles, relationships, and life paths, a great strength of the book. A nice twist at the end isn’t easy to see coming and works very well to tie things together.

A funny supernatural tale with spooky scenes, sincere emotions, and a solidly satisfying ending.

Pub Date: Oct. 3, 2017

ISBN: 978-1-946143-17-4

Page Count: -

Publisher: Fiery Seas

Review Posted Online: June 30, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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