An irreverent fantasy crammed full of sunlight and surprises.
This debut novel finds a swordsman and his talking fish battling a heartless mage, minions, and a doomsday dessert.
In the magical realm of Grome, Thoral Mighty Fist wars against evil with his enchanted broadsword, Blurmflard. He also has incredibly white teeth, a best friend named Brad—who’s a koi—and a heart “too heavy for adventure.” As Thoral finishes drowning his sorrows at a tavern, he pops the air-breathing Brad into his belt pouch and heads outside for his steed, Warlordhorse. He’s attacked by three black-cloaked figures, members of the Bad Religion. Thoral dispatches them speedily and then travels to the Godforsaken Swamp in search of a mood-enhancing escapade. He eventually finds a ruined castle and runs afoul of Necrogrond, the sorcerer, who wonders whether Thoral is the “Chosen One” from the Goomy Prophecy of Doom. After matching wits and magic with his new nemesis, Thoral frees an imprisoned elf princess, Nalweegie, daughter of King Elfrod. He then learns of Necrogrond’s plan to wipe the elves from Grome. Teamed with Elfrod’s army, the hero begins tracking a grasthling (flying squirrel) who will hopefully lead them to the Heartless One before the Pudding of Power and the Bracelet of Evil render the sinister forces unstoppable. In this deliciously deadpan fantasy, Hardison (Demon Freaks, 2017) parodies a genre that’s too often humorless and convoluted. He names people and places with childlike silliness (“The Gap of Goosh,” for example) and rivals the wryness of Neil Gaiman with explanations like “She is called Nalweegie, the Evening Snack...because to look on her in twilight quells the hunger of one’s heart without making one feel overfull, as can happen with a more substantial meal.” Thankfully, the author loves gore, too, and serves fans plenty of it (“He tore both of the elephant trunks off the gorilla body and threw them” so that they “splatted against the black altar and writhed around like huge worms”). Even if readers believe fantasy should always be dark and epic, Hardison’s comedic inventiveness and stamina are miraculous to behold.
An irreverent fantasy crammed full of sunlight and surprises.Pub Date: Aug. 23, 2016
ISBN: 978-0-9968943-1-9
Page Count: 288
Publisher: Fiery Seas
Review Posted Online: June 29, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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