An enjoyable mystery as sophisticated and energetic as the Wall Street characters it features.
Former detective Evan Adair sets personal tragedy aside to investigate the unexplained death of financial wizard Scott Nickerson in this mystery from first-time author Deborah.
Nickerson was attending an orchestra concert when he took a tumble that shouldn’t, but ultimately does, kill him. As it turns out, a number of people have motives for Nickerson’s death, including Nickerson himself. Among the suspects is Alan Rubicoff, a successful financier with a hidden agenda behind his attempts to lure Nickerson away to a new fund. There’s also Meredith Calder, one of the most powerful women on Wall Street who stands to lose a bundle if Nickerson leaves her fund. Throw in a discredited research scientist and an unscrupulous drug developer, and Adair has a monumental investigative task. He is soon sucked into a maelstrom of underhanded dealings and criminal motivations, some of which reignite his private grief over his son’s recent death. The story is not told in chronological order, and the shifts in date and time keep readers pleasurably engaged. High-stakes financial dealings, promising biotech developments, corrupt SEC investigations, unanswered paternity questions and a shocking deathbed letter are all part of the fast-paced action. Surprising plot twists accelerate toward an unexpected and satisfying conclusion. Deborah has a fresh, distinctive writing style that is showcased to best effect in her witty dialogue. The title itself is similarly witty; it’s a tongue-in-cheek reference to investment slang describing a security whose value has dropped significantly and precipitously. While it is difficult and dangerous to catch a falling knife, the rewards can be enormous. Deborah’s characters, portrayed with realistic complexity and depth, experience both the perils and the prizes of such a hazardous endeavor.
An enjoyable mystery as sophisticated and energetic as the Wall Street characters it features.Pub Date: Dec. 15, 2011
ISBN: 978-0983985105
Page Count: 412
Publisher: Plimsoll Press
Review Posted Online: March 7, 2012
Review Program: Kirkus Indie
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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