Penetrating and frequently poetic, although some self-psychoanalytic sections seem less relevant.
Hannan chronicles her young daughter Nadia’s struggle with cancer and the affects it has on her family.
Nadia is only 8 years old when a seemingly mundane incident—cracking her jaw on Halloween candy—reveals a harrowing condition at odds with her vigor and independent spirit: bone cancer; specifically, Ewing’s sarcoma. Often with lyrical phrasing, Hannan recalls with pitch-perfect empathy the diagnosis, construction of a medical defense and her family’s response. When she recounts her experience, years past, of witnessing her mother’s decline at the hands of a different cancer—of feeling like an outsider, torn in judgment of her own needs—the flashbacks blend cleanly into her present story. Current experiences reanimate latent memories of rejection, separation anxiety and straightforward fear. While it’s beyond argument that traumatic experiences such as a child’s health crisis will rattle strong emotions, some of these intensely self-analytical glances backward feel intrusive to the point of being off-putting; they would better serve a more sharply defined memoir. This account, while largely a memoir focused on the fits and starts of personal psychological healing, also reads as the tale of a spirited girl triumphing over her nemesis, as well as a self-help guide for families buckling under the weight of a child’s diagnosis. Eventually, a clearer track emerges: Hannan’s frustration over not seeing the reality of her pain honestly reflected in society. In that vein, some passages—such as the physical and emotional steps for cleaning a catheter—poignantly convey the scope of the experience. With chronological pliancy, Hannan steers through Nadia’s chemotherapy, surgery and healing processes, concentrating by turns on how her family provides the needed emotional support and on the child’s own swiftly changing perception of herself.
Penetrating and frequently poetic, although some self-psychoanalytic sections seem less relevant.Pub Date: Feb. 28, 2012
ISBN: 978-1933880273
Page Count: 328
Publisher: Cavankerry
Review Posted Online: Aug. 13, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Review Program: Kirkus Indie
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
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