Penetrating and frequently poetic, although some self-psychoanalytic sections seem less relevant.

MOTHERHOOD EXAGGERATED

Hannan chronicles her young daughter Nadia’s struggle with cancer and the affects it has on her family.

Nadia is only 8 years old when a seemingly mundane incident—cracking her jaw on Halloween candy—reveals a harrowing condition at odds with her vigor and independent spirit: bone cancer; specifically, Ewing’s sarcoma. Often with lyrical phrasing, Hannan recalls with pitch-perfect empathy the diagnosis, construction of a medical defense and her family’s response. When she recounts her experience, years past, of witnessing her mother’s decline at the hands of a different cancer—of feeling like an outsider, torn in judgment of her own needs—the flashbacks blend cleanly into her present story. Current experiences reanimate latent memories of rejection, separation anxiety and straightforward fear. While it’s beyond argument that traumatic experiences such as a child’s health crisis will rattle strong emotions, some of these intensely self-analytical glances backward feel intrusive to the point of being off-putting; they would better serve a more sharply defined memoir. This account, while largely a memoir focused on the fits and starts of personal psychological healing, also reads as the tale of a spirited girl triumphing over her nemesis, as well as a self-help guide for families buckling under the weight of a child’s diagnosis. Eventually, a clearer track emerges: Hannan’s frustration over not seeing the reality of her pain honestly reflected in society. In that vein, some passages—such as the physical and emotional steps for cleaning a catheter—poignantly convey the scope of the experience. With chronological pliancy, Hannan steers through Nadia’s chemotherapy, surgery and healing processes, concentrating by turns on how her family provides the needed emotional support and on the child’s own swiftly changing perception of herself.

Penetrating and frequently poetic, although some self-psychoanalytic sections seem less relevant.

Pub Date: Feb. 28, 2012

ISBN: 978-1933880273

Page Count: 328

Publisher: Cavankerry

Review Posted Online: Aug. 13, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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