Next book

THE WATER DEVIL

A MARGARET OF ASHBURY NOVEL

The author’s wit and irreverent take on the period keeps sentimentality from swamping her tale.

Matronly mystic Margaret of Ashbury finally tames her formidable father-in-law in the final installment of Riley’s 14th-century trilogy.

Last time out (In Pursuit of the Green Lion, not reviewed), wealthy Margaret ransomed third husband Gilbert de Vilers from the French. Now that they’ve given Margaret’s feisty daughters a stepbrother (toddler Peregrine), Gilbert’s status with his neglectful father, Hubert de Vilers, has improved. This infuriates Petronilla, childless wife of dandified philanderer Hugo, Sir Hubert’s heir apparent. (Somewhat to the novel’s detriment, however, Petronilla proves a cartoonish villain posing no real threat whose punishment readers may find excessive.) After returning from Edward III’s latest failed campaign to reclaim the French throne, Gilbert is enjoying the bustling domesticity of Margaret’s London manor when his Pater barges in, angling to mortgage Margaret’s holdings for legal fees. An oak grove bordering Brokesford, the de Vilers estate, is the subject of a boundary dispute between Sir Hubert and a neighboring monastery. The grove houses a pond inhabited, it is said, by an ancient pagan sprite to whom the villagers sacrifice small tokens for good luck. Margaret won’t encumber her property and jeopardize her daughters’ dowries, but she’s willing to procure fake documents backing up Sir Hubert’s claims. Obliged to live at Brokesford until the lawsuit is settled, our resourceful heroine quickly becomes embroiled in local scandals. A priest has been swallowed by the whirlpool at the pond’s center, and a “succubus” lurks nearby to ensnare unwary men. When Margaret grapples with the water sprite to save her son, and Sir Hubert’s chivalrous instincts are reawakened by her daughters’ stately governess, can a happy ending be far behind?

The author’s wit and irreverent take on the period keeps sentimentality from swamping her tale.

Pub Date: Feb. 1, 2007

ISBN: 0-307-23789-3

Page Count: 352

Publisher: Three Rivers/Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2006

Categories:
Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Awards & Accolades

Likes

  • Readers Vote
  • 30


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2014


  • New York Times Bestseller


  • Pulitzer Prize Winner


  • National Book Award Finalist

Next book

ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Awards & Accolades

Likes

  • Readers Vote
  • 30


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2014


  • New York Times Bestseller


  • Pulitzer Prize Winner


  • National Book Award Finalist

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

Close Quickview