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SOULMATES & STRANGERS

A heartwarming scrapbook from a devoted multidimensional friendship spanning miles and decades.

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Umlas’ memoir reflects on her mother’s life-changing international correspondence with a French pen pal.

Even from a very early age, the author recalled her mother Sylvia Wagreich’s deepening bond with a woman from Lyon, France named Claudia Raymonde Mariotti. The relationship began with a high school–instituted letter-exchange project in 1936. And for the next 70 years, the friendship between these two women endured through a series of letters, written half in French, half in English, detailing their private lives, loves, losses, and their separate life adventures. “I’ve always known that I’d been a major beneficiary of my mother’s long and rich relationship with her French pen pal,” the author writes. In 1965, despite Umlas’ Type 1 diabetes diagnosis, her mother allowed her enough independence to spend the summer of her 18th birthday in France with Claudia and her husband, Mario. The extended visit, which was life-changing for Umlas, had been carefully prearranged by her mother, who had yet to meet Claudia in person. As an adult, the author and her teenage son made a special trip in 2005 to visit Mario and Claudia (who, at 85 years old, was still an officer in the official Elvis Presley fan club of France). Claudia ceremoniously presented the author with a treasury of letters she’d received from Sylvia beginning from their first exchange to the spring of 1947, when Sylvia was 26 and was about six months pregnant with Umlas. This gift became a keepsake and a priceless glimpse into her mother’s life as a teenager and into her adulthood. After the devastating loss of both parents in 2008, Umlas, with her mother’s letters in tow, visited Mario and Claudia to share nostalgic moments, reconnect on a deeper emotional level, and express her fondest appreciation for the gift of her mother’s letters.

Umlas, whose background is in corporate training with a focus on empowerment and acknowledgment advocacy, embellishes her enthusiastic, heartfelt prose with an eye-catchingly creative design that balances the author’s narration with the letters and family photographs that bring the stories and “glorious and colorful details” of her mother’s adventures to life. Early in their correspondence, Sylvia and Claudia exchanged constructive criticism (and gracious acknowledgment) for minor missteps in each other’s attempts at translation. Verbatim extracts from the letters provide an intimate knowledge of the women’s friendship as well as affording the author the opportunity to familiarize herself with her “mover and shaker” mother’s perspectives on the arts, old Hollywood, and international politics. As Umlas’ unique insider education on her mother broadens, so does her adoration, as the memories deepen her emotional attachment to her mother’s legacy. In her first letter, Umlas’ mother writes to Claudia: “I was enchanted to receive your letter. I read it almost 100 times until I knew it by heart. I am very happy to have a French friend.” Readers who still have close relationships with their parents will find much to appreciate here, as will Francophiles since Umlas incorporates the French language, culture, and atmosphere that Claudia shared with her soul mate. In a social media–saturated world, this is a refreshing example of how an enduring long-distance companionship can be formed using simple pen and paper.        

A heartwarming scrapbook from a devoted multidimensional friendship spanning miles and decades.

Pub Date: Nov. 14, 2022

ISBN: 9798986284828

Page Count: 141

Publisher: Handler and Wagreich Publishing LLC

Review Posted Online: Jan. 23, 2023

Kirkus Reviews Issue: March 15, 2023

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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