by Julia Alvarez ‧ RELEASE DATE: April 7, 2006
Alvarez’s generosity of vision compensates for the not-altogether-convincing central conceit of her sixth novel.
Keep the faith: That simple message inspires a novelist when she and her husband are taken hostage.
Depression has been dogging 50-year-old Alma Huebner for some time, though it has not affected her rock-solid marriage to Richard, an environmental-aid executive. Her work has been the casualty. She’s lost interest in the characters of the sequel to her Latino family saga, which sounds a bit like Alvarez’s own How the Garcia Girls Lost Their Accents (1992), just as Alma’s backstory of leaving the Dominican Republic for the U.S. when she was ten echoes that of the author. As an alternative to the sequel, Alma is feeling her way into the psyches of two people on a real-life historical mission: Francisco Balmis, who undertook a court-sanctioned smallpox expedition from Spain to the New World in 1803, and Isabel, head of an orphanage supplying 22 children as carriers of the vaccine. Alvarez alternates between Isabel’s first-person account of the mission and Alma’s life in Vermont, disrupted when Richard leaves for the Dominican Republic to set up a “green center” in the mountains. All this makes for a quiet first half; the action explodes at the midpoint. In Vermont, Alma defends cancer-stricken neighbor Helen from her crazy son and daughter-in-law, self-styled “ethical terrorists.” In the DR, Richard is taken hostage by gun-toting local kids who are convinced that the AIDS clinic attached to his center will spread the disease. (Irrationality thrives in both the First and Third Worlds.) When the Balmis expedition gets off to a shaky start in Puerto Rico, Isabel becomes the heart and soul of the team, smoothing ruffled feathers and protecting her boys—though her mother-hen clucking is overdone. Alma flies down to the DR and, using the courageous Isabel as her “moral compass,” has herself taken hostage too. Both the modern and historical ventures end tragically.
Alvarez’s generosity of vision compensates for the not-altogether-convincing central conceit of her sixth novel.Pub Date: April 7, 2006
ISBN: 1-56512-510-X
Page Count: 384
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2006
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BOOK REVIEW
by Julia Alvarez ; adapted by Krystal Quiles & illustrated by Krystal Quiles
BOOK REVIEW
BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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