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THE LAST ENGLISH KING

A dark-hued lament for the loss of jolly old England a millennium ago, when psychopath William the Conqueror used a bagful of tricks to best good King Harold, this saga from the wide-ranging Rathbone (Blame Hitler, p. 1076, etc.) has its moments but can’t sustain them The story comes out in the halting, painful recollections of Walt, one of Harold’s inner circle of advisers and bodyguards who has wandered far from the Battle at Hastings in 1066, where he lost his right hand as well as his king. Dazed and feverish, Walt has crossed Europe before meeting fellow traveler Quint outside of Constantinople; the ex-monk, realizing Walt has within him a tale that will pass many a weary mile on the road, suggests he pay their way on a journey to the Holy Land. As Walt recalls the time leading up to the Norman invasion, when competing bids for the English throne gave rise to intrigues like the one that brought Harold to Normandy to be tricked by William’s magician into swearing an oath of fealty that would later haunt him, an adventure en route brings them into the company of that same trickster—whom Walt had seen drop dead in Hastings. The conjurer expresses remorse for his earlier role and offers his own memories of William’s preparations, while Walt describes the desperate days after Harold’s coronation, when, faced not only with the Norman threat but another from the north, he had also to quell dissent from within. Walt, healing slowly as he lets go of his grief at not having died with his king, decides to go home before reaching Jerusalem, but not before providing the blow-by-blow details of Harold’s heroic last stand. Popping the clutch once too often in shifting between memory, history, and life on the road, but, still, an often haunting evocation of a tumultuous time of glory and grief.

Pub Date: Dec. 1, 1999

ISBN: 0-312-24213-1

Page Count: 400

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1999

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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