Though sometimes blindingly detailed, a regal, multi-faceted feat of historical fiction.

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THE DIAMOND

Two centuries of war, revolution, romance and tragedy in France, compressed into the story of one gleaming gem.

Gracing Marie-Antoinette’s neck, Louis XV’s shoulder and Napoleon Bonaparte’s sword, the massive Régent diamond, also known as the Pitt diamond, was never far from the reach of French leaders from the early 1700s to the late 1800s. That could be both a blessing and a curse: “As the nation went, so went the Régent,” writes Las Cases, the genial narrator of Baumgold’s lavish, meticulously detailed historical novel. Discovered in India in 1701, the 426-carat raw diamond changed hands often, from the slave who found it, to the sailor who killed him for it, to Thomas Pitt, England’s Indian governor, who eventually had the gem cut to a 136-carat, much-lusted-after beauty. Exiled with Napoleon in Saint Helena, Las Cases is supposed to write a history of the aging dictator, but he’s more compelled to relate the history of the diamond—a task that’s often foiled by his boss’s attempts to hijack the narrative with blustering suggestions about how the story should go. This book, Las Cases explains, is partly hidden from the emperor, giving it a pleasantly conspiratorial feel. The drama of Baumgold’s story, of course, is not in the diamond itself but in the way it reflected the anxieties and moral failings of those who possess it, from the debauched Duke d’Orleans to the hubristic Napoleon. For any reader not already fascinated by peccadilloes at Versailles and the power shifts following the French Revolution, Baumgold’s steady stream of historical detail might feel more oppressive than entertaining. But her command of her subject manner is impressive, and her ability to spin small, humanizing vignettes about courtly manners and palace intrigues is skillful; her portrait of Napoleon, from his arrogant rise to spirited but weary decline is particularly rich and layered.

Though sometimes blindingly detailed, a regal, multi-faceted feat of historical fiction.

Pub Date: Nov. 1, 2005

ISBN: 0-7432-6481-9

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

CILKA'S JOURNEY

In this follow-up to the widely read The Tattooist of Auschwitz (2018), a young concentration camp survivor is sentenced to 15 years’ hard labor in a Russian gulag.

The novel begins with the liberation of Auschwitz by Soviet troops in 1945. In the camp, 16-year-old Cecilia "Cilka" Klein—one of the Jewish prisoners introduced in Tattooist—was forced to become the mistress of two Nazi commandants. The Russians accuse her of collaborating—they also think she might be a spy—and send her to the Vorkuta Gulag in Siberia. There, another nightmarish scenario unfolds: Cilka, now 18, and the other women in her hut are routinely raped at night by criminal-class prisoners with special “privileges”; by day, the near-starving women haul coal from the local mines in frigid weather. The narrative is intercut with Cilka’s grim memories of Auschwitz as well as her happier recollections of life with her parents and sister before the war. At Vorkuta, her lot improves when she starts work as a nurse trainee at the camp hospital under the supervision of a sympathetic woman doctor who tries to protect her. Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. Though believing she is cursed, Cilka shows great courage and fortitude throughout: Indeed, her ability to endure trauma—as well her heroism in ministering to the sick and wounded—almost defies credulity. The novel is ostensibly based on a true story, but a central element in the book—Cilka’s sexual relationship with the SS officers—has been challenged by the Auschwitz Memorial Research Center and by the real Cilka’s stepson, who says it is false. As in Tattooist, the writing itself is workmanlike at best and often overwrought.

Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-26570-8

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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If nothing else, you have to giggle over how this novel’s namesake, who held vicious white supremacist opinions, must be...

LOVECRAFT COUNTRY

Some very nice, very smart African-Americans are plunged into netherworlds of malevolent sorcery in the waning days of Jim Crow—as if Jim Crow alone wasn’t enough of a curse to begin with.

In the northern U.S. of the mid-1950s, as depicted in this merrily macabre pastiche by Ruff (The Mirage, 2012, etc.), Driving While Black is an even more perilous proposition than it is now. Ask Atticus Turner, an African-American Korean War veteran and science-fiction buff, who is compelled to face an all-too-customary gauntlet of racist highway patrolmen and hostile white roadside hamlets en route from his South Side Chicago home to a remote Massachusetts village in search of his curmudgeonly father, Montrose, who was lured away by a young white “sharp dresser” driving a silver Cadillac with tinted windows. At least Atticus isn’t alone; his uncle George, who puts out annual editions of The Safe Negro Travel Guide, is splitting driving duties in his Packard station wagon “with inlaid birch trim and side paneling.” Also along for the ride is Atticus’ childhood friend Letitia Dandridge, another sci-fi fan, whose family lived in the same neighborhood as the Turners. It turns out this road trip is merely the beginning of a series of bizarre chimerical adventures ensnaring both the Turner and Dandridge clans in ancient rituals, arcane magical texts, alternate universes, and transmogrifying potions, all of which bears some resemblance to the supernatural visions of H.P. Lovecraft and other gothic dream makers of the past. Ruff’s ripping yarns often pile on contrivances and overextend the narratives in the grand manner of pulp storytelling, but the reinvented mythos here seems to have aroused in him a newfound empathy and engagement with his characters.

If nothing else, you have to giggle over how this novel’s namesake, who held vicious white supremacist opinions, must be doing triple axels in his grave at the way his imagination has been so impudently shaken and stirred.

Pub Date: Feb. 16, 2016

ISBN: 978-0-06-229206-3

Page Count: 432

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 4, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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