THE TOUCH

Myerson follows up her acclaimed debut (Sleepwalking, 1995) with a similarly detailed study of family distress and dysfunction- -but this time there's a wild card: An unbalanced evangelist who inserts himself into the family's unstable dynamic, with catastrophic consequences. Frank Chapman is a bloody, sorry mess when Donna, her lover Will, and her sister Gayle find him semiconscious in a London park. The three get him to the hospital where Gayle works; and as the old widower recovers, she is both attracted to him and repelled; Inexplicably, he knows all about lovely Donna's twisted spine, which makes every day a painful trial for her, and he's certain that he can cure her. In time, Gayle is persuaded to let him try, and when Will is brought around too, Donna agrees to give it a shot. The faith healing works, and overnight Donna finds a new lust for life; she can't bring herself, however, to feel grateful to the unwashed, bizarre old man who made it possible. Gayle and Will visit Frank regularly to show their gratitude, even though they also find him difficult; as time passes, the two begin to take pleasure in each other's company, while Will and Donna become ever more estranged. During a family seaside vacation, complete with the sisters' mum, their brother Simon (a shiftless sponger with an unnatural affection for Gayle), and Frank, Gayle and Will's repressed passions emerge; they start an affair that continues back in London, even after Donna becomes pregnant. Frank, cut loose and left to fend for himself, festers in his own dark passions and memories, until a chance encounter with Will turns him from a healer for Jesus into an Old Testament avenger. Honest characterization and a flair for exposing family failings work as well here as before—and even if the portrayal of the outsider ultimately becomes heavy-handed, Myerson is clearly adept at chronicling the wrenching doubts at work in even the most intimate relations.

Pub Date: June 10, 1996

ISBN: 0-385-47507-1

Page Count: 320

Publisher: Nan A. Talese

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1996

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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