A compact and touching account of a beloved father’s final journey.
A woman offers a brief series of recollections centered on her dying dad.
“I do believe that death can be a beautiful event,” Nierenberg writes at the opening of her short nonfiction book about experiencing grief, “and that a life can be celebrated with joy at its end in a way that honors and nurtures the dying and the bereaved.” The author then proceeds to explore this unlikely striving to find the joy that runs through what is typically seen as the worst experience life can provide. Her father, Armin, who lived in Tulsa, Oklahoma, and was diagnosed with cancer, is the focal point of the work. The author resided in Toronto and at first dealt long-distance with her father’s slow decline over the course of three years. By the time Nierenberg was living with her dad, the news had turned dire. His cancer had spread all through his body, and his doctors were discharging him to hospice care. The author effectively conveys the shock of the moment. “How could that be?” she asked. “Why, he just received encouraging news from the oncologist days before!” Her father had been so goal-oriented and optimistic about the day-by-day, step-by-step progress of his treatment that he was at first disbelieving and resentful. Nierenberg and her siblings and children gathered around her father as he adjusted to his hospice room and filled it with personal items. At first, he seemed his normal self even in these stark surroundings, but soon his strength started to fail, and he began his ultimate decline. The author chronicles these stages—all of which will immediately resonate with readers who have gone through something similar with their own loved ones—with a clear eye for detail and an open emotionalism that create a consistently moving reading experience. She makes the wise decision to focus the great majority of the book on the stirring specifics instead of offering bland generalizations. The work is far more memoir than meditation and all the more powerful for that.
A compact and touching account of a beloved father’s final journey.Pub Date: Nov. 24, 2020
ISBN: 979-8-57-110931-4
Page Count: 124
Publisher: CreateWriteEnterprises
Review Posted Online: April 22, 2021
Review Program: Kirkus Indie
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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