Fay’s gentle humor and risk-averse approach don't do justice to her rollicking subject matter.
A novel of the vaudeville circuit, circa 1919.
An ordinary working-class family in Johnson City, New York, is threatened with penury when breadwinner Frank, a usually sober boot stitcher, gets into an uncharacteristic bar brawl and injures his hand. Fortunately for the Turners, however, wife Ethel, aka Mother, has always had a yen for the stage. She quickly molds her four daughters, Kit, Winnie, Gert, and Nell, ranging in age from 13 to 22, into a vaudeville act, the titular tumblers. (Nell, a war widow with an infant, is based on the author’s great-grandmother.) The group attracts an agent who sends them, with Mother as chaperone and producer, on a tour of upstate New York’s vaudeville theaters. (Every small town near the tracks appears to have one.) From here, any further resemblance to the musical Gypsy unfortunately ends. The new troupers encounter a motley crew of performers, including Tip, an African-American tap dancing virtuoso; Case and Wheeler, a Yiddish comedy team; and Joe and Lucy, Italian immigrant musicians who are on the boards for the same reason as the Turners: avoiding poverty. Complications ensue: bigoted pigeon wranglers get Tip fired—in retaliation, Winnie liberates their flock—and a grifter steals Mother’s hidden cash. Tip reappears during another gig, and he and Gert fall in love, risking arrest for miscegenation. Winnie, whose ambition is to go to college and become a doctor, also falls hard for Joe. Meanwhile, Mother carries on a flirtation with an orangutan handler. Eventually, Frank regains the use of his hand, but by this time, the Turner women are too stage-struck to resume respectable life in Johnson City. Winnie and Gert alternate as first-person narrators, but their voices are virtually indistinguishable. Fay handles the story’s issues of racial and ethnic prejudice with a gingerliness which verges on anachronism, and contemporary locutions, like “move on with her life,” further dispel the 1919 atmosphere.
Fay’s gentle humor and risk-averse approach don't do justice to her rollicking subject matter.Pub Date: June 14, 2016
ISBN: 978-1-5011-3447-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: March 16, 2016
Kirkus Reviews Issue: April 1, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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