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FAMILIAR ACTS

Barraclough (Kindred Spirits, 1989, etc.) makes a big deal of a morass of lies and sexual misalliances beneath the strictly moralistic faáade of a Victorian English family. Written in the voice of Hester Johanna Coppen, the story begins when she is a seven-year-old living in North Kent. Her father, a cruel and unforgiving man, travels to the city each day to work. Hester and her older brother, Gregory, know they are not loved by their parents, and they also can see that their parents have a very different attitude to their sister Clara. It turns out that their mother isn't their mother at all: She's their stepmother, who had left her own husband and young son to live with Hester's father while his wife, Hester's real mother, was recovering from an illness in Italy, where she eventually died. Clara is their love child. On her 18th birthday, Hester's invited to join her Aunt Zelda, her mother's sister, and her son Max in Italy. The drizzly hypocrisy of London is replaced by the lively world of art, opera, Tuscan sensuality, and the rich social life of Florence. First Hester discovers art—Michelangelo's David and the paintings of Botticelli and Filippo Lippi; this is quickly followed by the discovery of sex, or at least of desire. At a performance of Rigoletto she is transported into a state of ecstasy, a mournful, hopeless love, when she hears Orso Orsini sing. The recounting of the passion of the innocent, repressed young woman is charming and beautifully crafted. What doesn't work is the rendering of the opera star as the novel's hero. Orsini never emerges as more than a figure of Hester's passionate fantasies. Their romance, too dependent on ridiculous intrigue, is unconvincing, and in the end, the book is just as statically beholden to genre conventions as Hester's father is to Victorian ones.

Pub Date: July 22, 1994

ISBN: 0-312-10980-6

Page Count: 240

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1994

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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