A historic page-turner that promises to bring fans new and old to the table.
Trop (The Deadliest Sport, 2017, etc.) lends depth and familiarity to an ancient world and adds modern thriller sensibilities in this latest historical mystery novel, the fourth in the series.
Miriam bat Isaac, an aspiring alchemist in first-century C.E. Alexandria, has had a complex life. Having dealt with the dangers of alchemical techniques themselves and people competing with or acting against the Jewish alchemists working on such research, she finds herself in the rare position of both being an expert in alchemical science and in unraveling the conspiracies and threats that beset her and those around her. So it’s all the more surprising when she’s faced with her most puzzling challenge yet—an attack on Alexandria’s Great Synagogue that leaves its Torah mantle damaged. That alone would be a mystery worth tackling, but when her alchemist colleague (and the longtime object of her affections) Judah repairs the mantle, he finds that none of the gems embedded in the sacred object were stolen, leaving the culprit’s motives all the more uncertain. When a missive warning of a veiled need for additional guards at the synagogue appears, Miriam’s concerns only deepen. As she investigates, she finds more and more doubt and confusion about this particularly twisted piece of intrigue, and it’s dark and dangerous enough that it could very well be her last. As in previous books, Trop’s prose is strong, with clean, natural dialogue and a particular flair for the kinetic details of action scenes and the dramatics of disguise and investigation. The complex cultural dynamics of Jewish people in this society are well-researched, a welcome facet of the series. What’s more, even new readers will find themselves caught up in the setting via effective description and a liberal application of culture- and setting-specific terms. Fans of the series may be interested to note that, while this book brings with it the tension and quick pacing of previous entries, it does feature fewer scenes of violence and action-fueled drama. Certainly this is unsurprising, because the previous book focused on Miriam’s brother, Binyamin, and his fellow gladiators, but it’s worth noting this installment’s shift to a greater focus on investigation, questions, and uncertainty.
A historic page-turner that promises to bring fans new and old to the table.Pub Date: April 28, 2018
ISBN: 978-1-62694-875-4
Page Count: 248
Publisher: Black Opal Books
Review Posted Online: June 26, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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