Even children who can’t yet read will get at least a portion of the joke.
Ten birds frolic in fractured count-down number rhymes.
Ten birds, most with identifying hats and cloaks, open this series of misfortunes in a wordless double-page spread showing a concert that, from their expressions, must be more cacophonous than musical. Then disaster happens: “Ten fine birds were sitting in a line / When the fence got smashed, / which was not a good sign, / So then there were NIGN.” Similar calamities follow, each with its ending number misspelled to fit the rhyme. The verses appear on the left-hand pages, along with a pictorial hint about which bird will disappear. On the facing page, bordered at the top and bottom with white, are Gebert’s illustrations of each catastrophe. (Some details are left for readers’ imaginations, as when the “six scared birds” encounter a crocodile.) But all ends well. Readers will have to judge for themselves whether it’s the parent owl or child that leaves the nest to “WUN,” but the eggs inside miraculously hatch all 10 again. They end the tale with a quiet picnic. Wilson's clever translation of the German Mit großem Krach: Vom Reimen auf Biegen und Brechen (2012) preserves the tortured rhymes and most of the mispronunciations of the numbers.
Even children who can’t yet read will get at least a portion of the joke. (Picture book. 5-9)Pub Date: Oct. 1, 2012
ISBN: 978-0-7358-4100-0
Page Count: 32
Publisher: NorthSouth
Review Posted Online: Aug. 21, 2012
Kirkus Reviews Issue: Sept. 15, 2012
BOOK REVIEW
BOOK REVIEW
A light dose of natural history, with occasional “EWWW!” for flavor
Having surveyed worms, spiders, flies, and head lice, Gravel continues her Disgusting Critters series with a quick hop through toad fact and fancy.
The facts are briefly presented in a hand-lettered–style typeface frequently interrupted by visually emphatic interjections (“TOXIN,” “PREY,” “EWWW!”). These are, as usual, paired to simply drawn cartoons with comments and punch lines in dialogue balloons. After casting glances at the common South American ancestor of frogs and toads, and at such exotic species as the Emei mustache toad (“Hey ladies!”), Gravel focuses on the common toad, Bufo bufo. Using feminine pronouns throughout, she describes diet and egg-laying, defense mechanisms, “warts,” development from tadpole to adult, and of course how toads shed and eat their skins. Noting that global warming and habitat destruction have rendered some species endangered or extinct, she closes with a plea and, harking back to those South American origins, an image of an outsized toad, arm in arm with a dark-skinned lad (in a track suit), waving goodbye: “Hasta la vista!”
A light dose of natural history, with occasional “EWWW!” for flavor . (Informational picture book. 5-7)Pub Date: July 5, 2016
ISBN: 978-1-77049-667-5
Page Count: 32
Publisher: Tundra Books
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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